Hans Zimmer awakes on sheets of satin. Enrobed in a velour dressing gown, he rises from the bed and shuffles to the French window. He looks out over the idyllic Mediterranean island he calls home. A family of birds chorus in the olive grove outside his villa. He allows a smile to curl the corners of his mouth - ‘I have made it’, he thinks. ‘I am living’.
After a two-hour breakfast of salmon and the last eggs of an extinct bird species, Zimmer sets down at his desk. He puts the statuette of his conducting hand to one side, inks his quill, and sets down a few notes upon the parchment.
The hours tick by. The scroll unspools. Shadows wax and wane over Zimmer’s pate. Widows, his score for Steve Mcqueen’s new movie of the same name, is taking shape...
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