I know that this is an unfashionable opinion, but this particular Norman Records™ description writer thinks that Neil Young did his best work in the 1980’s. Albums like Trans and Everybody’s Rockin’ are either some of the all-time great musical shitposts, visionary records that simultaneously trailblaze and satirise the retro-maniacal curve of the decade, or both. 1988’s This Note’s For You manages to yoke together Young’s contemporaneous archness with some of his best mid-period songcraft. There’s also plenty of anti-corporate fire here - possibly something to do with the fact that his old label Geffen had just sued him for, in essence, not being Neil Young-y enough.
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