Kathryn Joseph's debut Bones You Have Thrown Me and Blood I've Spilled was a bit of a sad corker winning all kinds of Scottish awards. This is her second record and first for Mogwai's Rock Action imprint. Expect windswept bleak confessionals with a warm heart and quivering delivery that soothe rather than haunt.
Vinyl LP £16.49 ROCKACT114LP
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- Coloured vinyl
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CD £9.99 ROCKACT114CD
CD on Rock Action.
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Kathryn Joseph announced herself with her debut Bones You Have Thrown Me, And Blood I've Spilled, a late developer and already in her forties, the singer has a unique and studied take on the singer songwriter oeuvre. I'm having a hard time working out whether you can even describe the opener 'Ill' as being 'a singer songwriter' piece. Consisting as it does a wordless vocal over glorious piano chords. It sounds like Bjork humming over Mark Hollis's solo album.
From When I Wake The Want Is is a lot more delicate than the more stormy Bones You Have Thrown Me... it often sounds like Joseph is disappearing into the ether. Her voice is shaky, tortured and is used more of an instrument than with something you can get a grip of which means that on initial listens you find yourself grasping at it for meaning and each time it slithers by. Therefore you can concentrate on the music which is often rather gorgeous indeed. Most tracks are piano led but the production is dusty and grainy with muffled drums threatening to explode out of their traps on 'Tell My Lover' which recalls Radiohead to a degree but a more windswept one.
In fact Windswept is a good adjective to describe this record. It seems to have been dredged out of a Scottish loch. There's something of the late recordings of Billy MacKenzie in Joseph's octave leaping vocal presentation and haunting piano ballads. These are bleak, threatening stormclouds of songs that after listening makes you want to dry off with a soft towel.
9/10 Lord Lucozade 1st September 2018
Like Joanna Newsom inviting John Carpenter round to the studio and then chucking all his synths in a skip, sitting him down at the piano and telling him to 'keep doing that Halloween thing over and over again', with lots of mumbling over the top of it. More mumbling than Michael Stipe and Stuart Staples put together as the World Famous Supreme 'Mumblin' Team! In fact the mumbling works a treat, you get carried along by the piano, bass and mumbling into the eerie and ethereal world of Joseph's creation. Definitely one of the best records of the year!
9/10 Kenneth 24th August 2018
This is exactly what my miserable summer mind needs right now. Especially after those endlessly sweaty few months we had. It's definitely sad stuff, but also strangely invigorating. Overall, it's subtle, yet grand where it needs to be. The bassline in the first song, for example, hits you like a brick - just when you think the song ran its course. And there's tons of moments like that on the album. Love the voice (a raspy Joanna Newsom?), love the production, definitely one of my favourites this year so far.
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