Kate Carr’s Flaming Pines (The Boats, Xu) presents an intriguing compilation of experimental fare from Vietnam. Emergence makes a compelling case for more light to be shone on a scene - and a nation - whose music is often passed over by Western listeners. There are compelling piano pieces (Do Tan Si’s ‘The Morning Seems So Strange Today’), droning tape ambiences reminiscent of Yves Tumor (‘Sound Awakener’ by Duskiness), Oval-esque sound experiments from Parallel Asteroid and plenty more on the ten tracks here.
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