This split 12” on Nation offshoot Kode plays two of techno’s more idiosyncratic voices off against each other. Transformation’s offering is a hypnotic slow-mo grind, full of faraway screeches and eerie percussion. Kind of like Kraftwerk’s ‘Autobahn’ if Kraftwerk had actually been Fuck Buttons and the record was cut at 33 when it was meant to be cut at 45. On the flip, L.I.E.S./Jealous God bloke Beau Wanzer gives us a track called ‘Oklahoma 3’, which sounds nothing like any of the music from Oklahoma. It actually sounds like a darkwave rendering of Hype Williams.
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