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  • Add Snail Mail to your favourites
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1 review »

The very young guitarist and songwriter Lindsey Jordan released her debut EP under the name Snail Mail two years ago at the age of sixteen. Two years later, she’s added bassist, Alex Bass and drummer, Ray Brown to the mix and Lush, Snail Mail - the band’s first album is upon us. This is pretty classic-sounding American indie, very suited to new label, Matador. LP and CD on Matador.


  • LP £15.49
  • Not in stock / Usually ships in 2-3 days ?
  • Shipping cost: £3.15 ?
  • NormanPoints: 155 ?
  • OLE11791 / LP on Matador
  • Includes download code

This item needs to be ordered in from a supplier.
Usually ships in 2-3 days but delays are possible.

  • CD £7.99
  • Not in stock / Usually ships in 2-3 days ?
  • Shipping cost: £1.00 ?
  • NormanPoints: 80 ?
  • OLE11792 / CD on Matador

This item needs to be ordered in from a supplier.
Usually ships in 2-3 days but delays are possible.

REVIEWS

Lush by Snail Mail
1 review. Add your own review.
3 people love this record. Be the 4th!
8/10 Robin Staff review, 06 June 2018

Norman Records website editor Clint is absolutely obsessed with the fact that Snail Mail have a bassist called Alex Bass. He’s so obsessed with it that I’ve been left to pick up the pieces and actually tell you what it is that Snail Mail do. Bolstered by the canny and intuitive songwriting prowess of Lindsey Jordan, the band offer the kind of subliminally pop-punk approach to middle-ground indie rock we’ve been hearing in bands like Soccer Mommy and Bully; simple strums, chugging verses, delicate guitar melodies and brilliant choruses mark ‘Lush’, making it yet another win for the earnest amongst us in 2018.

‘Lush’ has been in people’s hopes and dreams for a while now, and it arrives with songs to match its previews, offering secretly dynamic gems like “Pristine”, where a simple, one-level rock band chug gives out to occasional moments of sparsity and bumpy-road melancholy. From within a garage rock feel Snail Mail find their emo gravitas, letting the whining tones of “Speaking Terms” create meditations from fretboard alone. Jordan’s performance is of course vital: with a perfect understanding of the songs she’s made, she can cruise effortlessly along a sad-breeze song like this and then reach for the wreckage of “Golden Dream”, where garage ballad meets climax.

“Let’s Find An Out” is probably the record’s best moment: it matches the kind of slick, easy-peel guitar picking of an early Kurt Vile number with a sauntering percussive element that keeps its give-up sadness in motion. It’s only two minutes, but Jordan can cover a lot of ground in that time. Whether toying with a buzzing grunge in “Heat Wave” or veering into a folksier iteration of her sound, ‘Lush’ proves her to be a promising artist and then some, one who’s come into the scene with some fully formed songs and a whole lot of sad for your heart to take.


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