Originally released in 1997, Chicago native Glenn Underground’s second LP is the sort of music that’ll be played in the electronic music museums of the future when you get to the ‘house’ section. Each of the eight cuts on The Jerusalem EPs is an impeccable slice of Southside club music. The drums jack hard, the synths keen with jazz-tinged chord progressions, and there’re plenty of sexy sax solos. It’s classic in every sense of the word.
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