We still don't know how a mood shimmers, but we digress: Shimmering Moods is still putting out the warmest drone there is. This new one from Dimitar Dodovski contains slowly calibrated ambient compositions with rhythmic sniffs, the atmosphere of the record coming alive like a slow dissolve effect. Derive suggests melodicism but clings to its kindly atmosphere.
CDr on Shimmering Moods. Edition of 50 copies in handmade, hand-numbered packaging.
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Dimitar Dodovski approaches his craft of granular synthesis from a melodic perspective at most definitely the warmer end of the drone spectrum. Opening track ‘I’ introduces, of all things, mallet-struck chimes amongst the digital layers. The mallets recur on the following track (‘II’), but only when you least expect them. Staccato synth rises from a mist-draped lake of sound, each milky chord change rung by a bell.
Pixelated textures drop in, then out, then back into focus again as Dodovski deftly carries us along on his smooth, humid, watery journey. It’s a gradually, dreamily dissolving picture of serenity. Sounds to submerge yourself in. By track 4, handily entitled ‘IV (Soul)’ I am spellbound by such moments of beauty that I have stopped typing and words have totally evaded me. For several minutes. That’s really not a good thing for a reviewer -- but it *is* a recommendation. So. There. Especially if you enjoyed Kaitlyn Aurelia Smith and Suzanne Ciani’s latest joint opus.
The rest of the album is equally lush. Even the choral pads and New Age-isms of some of the sounds can’t detract from that. It’s so very tropical sounding, unhurried; I can imagine stop-motion photography of an orchid blooming afresh to each struck note. David Attenborough’s voice optional but not entirely unnecessary.
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