Like the weird zoomorphic concrete bunkers crouched along the North European littoral from which the name is lifted, Atlantikwall tracks are looming, colossal structures, moulded out of guitar density overload, atavistic rhythms and cyclical chants.
A tape of two halves: one side vocal the other instrumental, with songs constructed on a bedrock of overlapping loops and skeletal, primitivist drumming; the gradual heave of tectonic phase shifts opening up strange fissures of churning organic textures. On top of these foundations we find the stroboscopic buzzsawing guitars of ‘Constellation’, interlocking arpeggios subsumed into billowing tonal smears in ‘Passage Colours’, the unmoored feedback of ‘Downriver’ snaking through alien FX fauna and the psychedelic afrobeatesque noise of ‘Duneskin’ juggernauting into the sun.
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- / Limited edition chrome cassette on Sivilised in hand-printed recycled cardboard slipcase. Norman Records EXCLUSIVE!
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1 review. Add your own review.
I was listening to this whilst doing something completely different and for some reason got it into my head that it was Death in Vegas. "This new Death in Vegas" LP is really super" I thought. The entire first half of the first side of the tape is taken over with a ten minute track called 'Constellation' which I can't really explain using words. It's brilliant, it sounds like a big jumble of Sun Ra, Throbbing Gristle, Moondog and Animal Collective. This is true cosmic music with an endless barrage of vocals which splurge over a squelshy bedrock of electronics and afro-beat drums.
Despite sounding completely different, 'Passage Colours' is just as great. It starts gently with watery Sonic Youth styled guitars nestling alongside concrete drones but then in come vocals leading to the sort of thing you'd imagine Fat White Family would sound like if you had never listened to them and just read press blurb.
Elsewhere we get a kind of stumbling Thinking Fellers style sonic slop before the tape finishes off with two instrumental tracks, the first of which is a droning instrumental piece which leads to the closer 'Duneskin' which has flanging disorientating effects which kind of remind me of Can 'Future Days' being reworked by Factory Floor.
It's interesting stuff this, the vocal tracks are particularly effective and if you think that the likes of Goat and Animal Collective are not as far out there than you might wish these days then you need to check this out. Lots of music too, so much music.
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