On Meta, Richard Garet makes background noise the focus of our attention - sounds that are derived from our day-to-day experiences, sounds that we wouldn’t particularly notice if it wasn’t for Meta. The hour-long piece on this CD is based on a more complex quadrophonic interactive installation. Limited to 400 copies.
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- Meta by Richard Garet
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You can always count on Richard Chartier’s label, Line to introduce us to new levels of subtlety in ambient minimalism. This disc by Uruguay-born, New York-based multimedia artist, Richard Garet is based on an installation in which background noise is brought to the fore; lifting previously present but unconscious sounds into our active awareness. What we get on the disc is an hour-long journey through alien textures, radioactive static clicks, humming and buzzing of many kinds and intricate sonic patterning at all thresholds of the audible spectrum. It’s the kind of music that sounds like it could have been beamed to Earth from a remote intelligence in a distant solar system, but is actually being made by mundane domestic appliances like the microwave oven, fridge-freezer and mobile phone.
Part of the thrill of this kind of music is the insectoid, alien quality of these sounds that we’ve heard before but probably not really paid much attention to them. Garet seems to structure and arrange the sounds too so that there appears to be an ebb and flow of intensity with stark, desolate passages building into periods of furiously teeming activity. This is most definitely a challenging, but engrossing listen, with some of the most punishing high frequency sine-wave surfing I’ve heard since I last checked out Sachiko M and Toshimaru Nakamura’s sound-mixer feedback jams.
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