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Richard Buckner's ‘The Hill’ was born in 1996 at The Ranch Olancha Motel, a converted garage near the mouth of Death Valley, while Buckner was staying a week in a room with nothing for company but his guitar, a four-track recorder, and a copy of Lee ‘Masters' Spoon River Anthology’. The resulting recordings of Buckner’s experiments with passages from the iconic book of poems were then forgotten about until four years later when he would bring them back to life with the help of Calexico's Joey Burns and John Convertino.


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