Having worked with everyone from Lou Reed and Lee Ranaldo to Merzbow and Helmut Oehring, Reinhold Friedl seems to be the very definition of that old cliche, ‘the musician’s musician’. A pianist more concerned with what’s inside the piano than the keys (does that make him a percussionist?), this album sees Friedl use the last surviving Neo-Bechstein piano - it’s all in the title! - to produce drones you wouldn’t think a piano capable of.
YOUR RECENTLY VIEWED ITEMS
- Golden Quinces, Earthed for spatialised Neo-Bechstein by Reinhold Friedl
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