Rüdiger Lorenz was a part-time producer of New Age music, and 'Invisible Voices', initially released in 1983, shows that he could've gone full-time in a fairer world. Lorenz made lush and overstuffed works, and 'Invisible Voices' is no exception, taking different elements of minimal synth and electronic work and maximising them.
9/10 Mike Staff review, 05 September 2014
As rosy-fingered dawn cups Holbeck in its hands and thumbs open the new day's crack, I'm starting another mammoth review-a-thon with the gorgeous new age kosmische sounds of this meditative-yet-bustling reissue from full-time pharmacist/part-time synth wizard Rudiger Lorenz, which originally came out in 1983 (as did I).
It's a timely reissue, since so many of the current crop of synth explorers are so in thrall to the late '70s/early '80s sound. I've not encountered Lorenz's music before today but it's very impressive - lushly constructed synth meditations full of graceful drones and robotic pulses and softly unfolding melodies that to my ears falls somewhere between contemporaries JD Emmanuel and Tangerine Dream, but more melodically restless than either - in fact the latter's soundtrack work on films like 'Near Dark' often comes to mind because the nine pieces contained here are fairly succinct despite the "new age" nature of the softly trickling synth tones.
I get the feeling that the individual tracks are supposed to evoke the atmospheres of certain places. 'Out of the Past' has some staticky whooshes and a striding melody like Vangelis's beach run music from 'Chariots of Fire', 'New Atlantis' has strange dramatic space-swells, stumbling drum machine and a robotically processed female-voiced monologue. Sometimes the time and place he's trying to evoke is hinted at by the titles, such as the blissful 'Summer with Sonja' or the slightly Kraftwerk-esque 'Flight Over Greenland'. All in all it's a very enjoyable album, full of varied moods, easygoing melodies and vintage synths.
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- Invisible Voices by Rudiger Lorenz
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