To some it's probably the most terrifying idea anyone could possibly have, but to others, John Zorn making music for an ensemble is a welcome and delightfully disastrous notion. The grindcore jazz maestro made Fragments, Prayers and Interjections to be played by large orchestras with plenty of resources to hand, including the BBC Symphony and the New York Philharmonic. These works are a testament to Zorn's vast understanding of music, both in conventional and subversive terms.
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