Comme a la Radio is the second album by Brigitte Fontaine. It features collaborations from Areski Belkacem and Art Ensemble of Chicago. The latter provide a perfect backdrop allowing Fontaine to explore free-verse poetry which she does arhythmically and often spoken rather than sung. The tone for the album is set by the title track - Fontaine singing over double bass, punctuated by flute and trumpet stabs.
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