Why shop with us? 0113 245 4399

The sophomore LP from Still Corners is their light-at-the-end-of-the-tunnel record. Where 2010 debut Creatures Of An Hour was conceived in a post-breakup fug, Strange Pleasures turns the corner and stumbles on a vista of great beauty. This is highly evocative hypnagogic dream-pop that blends Haruomi Hosono, Real Estate and Cocteau Twins to glorious effect.

Limited Vinyl LP £19.99 SP1035X

Limited edition gold coloured vinyl repress on Sub Pop.

  • Shipping cost: £3.35 ?
  • Coloured vinyl
  • Limited edition
  • Includes download code
  • Only 1 copy left
This item is in stock and can be dispatched immediately.

Vinyl LP £13.99 SP1035

LP on Sub Pop.

  • Shipping cost: £3.35 ?
  • Includes download code
This item needs to be ordered in from a supplier. Usually ships in 2-3 days but delays are possible.

CD £9.49 SPCD1035

CD on Sub Pop.

Sold out. If you have recently ordered it and it is delayed, please check our order tracking tool for more information before trying to contact us.


Strange Pleasures by Still Corners
2 reviews. Write a review for us »
9/10 ReviewBot300 01 May 2013

London duo Still Corners’ 2011 debut ‘Creatures of an Hour’ was a real slinky dreampop gem which was very popular here at Norman Towers, so we’ve been waiting with bated breath for their follow-up effort on Sub Pop. Here it is, and it’s lovely as expected. There’s elements of dreampop and shoegaze, ‘80s synthpop and library horror synths in their smoky, breathy slo-mo power ballads which really sucks you into their world.

This time round songs like ‘All I Know’ showcase their Broadcast-meets-Cure-meets-Cocteaus aesthetic with more of a modern floatpop sheen that brings to mind Washed Out, but then there’s more pure synthpop tracks, such as ‘Berlin Lovers’ and ‘Future Age’ which follow it - the former a kind of robotic retro-futurist ‘Smells Like Teen Spirit’ for our computer-hypnotised generation, the latter an technicolour stomp of synthetic swooshes and bright bloopy melodies along with pulsating Afro-inspired rhythms providing a perfect backdrop for some Liz Fraser-esque crooning from singer Tessa Murray. It’s unapologetically uplifting whilst still being sophisticated and mysterious and strangely distant. Despite the more polished sound there’s always some kind of weird analogue synth-tinkery going on to keep the listener on their toes and having given it a couple of spins in the office already we can confirm that it’s a grower.

8/10 Ivan Customer rating (no review), 22nd May 2019



What the artist or label has to say for themselves. Read more.


Your email address will not be abused or shared.