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8/10 andy robinson Customer review, 13th September 2012
Cuidad Juárez, Mexico, is a city with a murderous reputation. The war between rival drug cartels and the police made it, until recently, the homicide capital of the world. Life is tough for a civilian just trying to raise a family. I’m sure you can imagine that if you found yourself in that situation you would need a means of catharsis, a way of making sense of it all. Well, my friend Miguel Pérez lives there and he escapes through noise. A background in the metal scene of the 90s taught him musicianship – he is an exceptional guitarist – but it was his discovery of noise and improv that set him free. A Stakhanovite work rate has led to dozens of releases under several pseudonyms, mainly through the netlabel Oracle he co-runs with Pablo Mejia, a noise artist based in the Dominican Republic. I came to his work via the Culver-esque roars of La Mancha Del Pecado but my favourite of his projects is the solo, acoustic guitar of The Skull Mask. These improvised, psychedelic ragas are influenced by ritual music from around the world, including the shamanistic tradition of his native country, filtered through his own experiences of the Mexican wilderness. It is beautiful, compelling, raw, ego dissolving stuff. To listen to The Skull Mask is to stand facing the hot, abrasive desert wind. Rob H, Leeds, UK, August 2012.
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