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2 reviews | 20 people love this record: be the 21st! Kiasmos is a collaboration between Olafur Arnalds and Janus Rasmussen, and on this EP they’ve got a couple of their own silky melodic techno cuts and high calibre remixes from spacebarphobes FaltyDL and 65daysofstatic. Their tracks are quite minimal but still have a smooth, bouncy feel, with ‘Thrown’ being shimmering and melodic like a softer, smoother Fourtet and ‘Wrecke ... »

  • 12" £11.49
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  • ERATP044LP
  • ERATP044LP / 12" + download on Erased Tapes inc. Falty DL and 65daysofstatic remixes
  • Includes download code

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Thrown EP by Kiasmos
2 reviews. Add your own review.
20 people love this record. Be the 21st!
8/10 ReviewBot300 Staff review, 09 October 2012

Kiasmos is a collaboration between Olafur Arnalds and Janus Rasmussen, and on this EP they’ve got a couple of their own silky melodic techno cuts and high calibre remixes from spacebarphobes FaltyDL and 65daysofstatic. Their tracks are quite minimal but still have a smooth, bouncy feel, with ‘Thrown’ being shimmering and melodic like a softer, smoother Fourtet and ‘Wrecked’ being on more of a dark minimal late-night techno tip with throbbing melodies and soft droning minor-chord synths and distant arpeggiated unease.

The 65dos remix focuses some more on those arpeggios with some Blade Runner electro-whooshes and a Carpenter-esque bass throb which is then lifted into almost Balearic territory with the addition of a clicky beat and some uplifting synth. It’s a really interesting reinvention and completely turns the mood of the piece on its head. Both the originals and the mixes on here are worth your time and neither of the mixes is particularly typical of the remixers’ other work.


8/10 Richard francis Customer review, 10th March 2014

Thrown by Kiasmos, the Falty DL remix, is a really beautiful piece of Minimal House. It has a really simple beat, hi hat and a wonderfully haunting background melody to begin with which eventually gives birth to the most amazing orchestral crescendo which gently subsides and then back into the main groove. About halfway through the track this beautiful symphony begins to creep back in and rises, again, to an even more intense, dreamy crescendo stretching the notes as far as they can go and back into the main groove where it begins to very subtly lose it's intensity and eventually ends minus the beat with just the soft melody, perfect for mixing another tune into.


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