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Future Days Recordings Vinyl, CD & tapes from this label at Norman Records

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Link Wray
Link Wray

In which the legendary guitarist (now down to just the one lung) moved away from the instrumental nature of his previous records and sang roots, country and folk in a gutteral bark.Pretty much ignored at the time, the record has gained a cult following as the years flew by with Nick Cave and the Neville Brothers covering it's songs.  
  • Vinyl LP (FDR633)
  • In stock and ready to ship
  • Label(s):
  • Future Days Recordings

Annette Peacock
I'm The One

Absolutely bonkers but hugely ahead of its time sonic jazz exploration from Salvador Dali collaborator, moog pioneer and friend of Albert Ayler. If this doesn't give you an idea of what to expect then think long and hard about Nina Simone on acid. Peacock has finally got the rights back for this long unavailable classic so here it is again in all its glory remastered and with unseen photos. 
  • Vinyl LP (FDR601LP)

Francoise Hardy
Tous Les Garcons Et Les Filles

The legendary Francoise Hardy is pretty much the sonic epitome of 1960’s French cool, and Tous Les Garcons Et Les Filles is one of her essential French-language albums from the period. Sleek, beautiful and bright recordings, each of which has been carefully remastered. 180g vinyl reissue from Light In The Attic and Future Days Recordings.
  • Vinyl LP (FDR614LP)
  • CD (FDR614CD)
  • In stock and ready to ship
  • Last copy
  • Label(s):
  • Future Days Recordings

Terry Reid
The Other Side Of The River

Terry Reid is relatively unknown compared to what could have been: Jimmy Page asked him to be the vocalist for Led Zeppelin. Reid turned the offer down, Robert Plant got the job and the rest is history. Reid has an incredible voice which earned him the nickname Superlungs. He has been covered by The Raconteurs and sampled by DJ Shadow. Reid released his third studio album, River, in 1973 which, although relatively commercially unsuccessful at the time, is held in high regard by fans. The Other Side Of The River contains long-forgotten (even by Reid himself) outtakes and alternate versions from River sessions.
  • Vinyl Double LP (FDR629LP)
  • In stock and ready to ship
  • Last copy
  • CD (FDR629)
  • Label(s):
  • Future Days Recordings

Tim Buckley
Lady, Give Me Your Key: The Unissued 1967 Solo Acoustic Sessions

Oh good criminy! Lady, Give me your key is a collection of 3 unreleased demos that have recently been discovered. That makes 13 acoustic tracks, some which then grew into fully instrumented works, but most of which will not have been heard, even if you are the most ardent Tim Buckley fan. Comes with booklet containing interviews with Larry Beckett and Jerry Yester.
  • Vinyl LP (FDR631LP)
  • Label(s):
  • Future Days Recordings

Lee Moses
Time and Place

Long-time soul session musician Lee Moses (he played with Gladys Knight and Jimi Hendrix!) made his debut as a frontman and bandleader in 1971 on Time and Place. It wasn’t a hit, but it is a classic: Moses is light enough on his feet to get that lithe groove going, but also tough enough for his vocals and brass arrangements to carry serious heft. Reissue on Light In The Attic.
  • CD (FDR630CD)
  • Label(s):
  • Future Days Recordings

Jim Dickinson
Dixie Fried

Jim Dickinson was a rock’n’roller who went entirely his own way and who has not been rewarded with great fame. But his music has a special flavour to it that has won him cult appeal, and this reissue of his 1972 solo debut album Dixie Fried demonstrates why. All tracks have been remastered, and seven previously unreleased cuts have been added to the tracklisting. On Future Days Recordings.
  • Label(s):
  • Future Days Recordings

John Angaiak
I'm Lost In The City

John Angaiak only ever released 1 LP, this one. I’m Lost In The City is a rare recorded example of a singer-songwriter using the Yup’ik language of the Eskimo: Angaiak hails from icy rural Alaska. His music is useful as a document of cultural history, but also simply wonderful as music in its own right. Remastered reissue on Future Days Recordings.
  • Vinyl LP (FDR620LP)
  • Label(s):
  • Future Days Recordings

Morley Loon
Northland, My Land

Morley Loon came from Quebec, and his derives from the traditional Cree culture in which he grew up. Northland, My Land is an insight into a hidden culture, and an excellent set of folk sounds. These reissues are remastered from the original tapes, and come with a booklet of original Cree and translated English lyrics, as well as photos. On Future Days Recordings.
  • Vinyl LP (FDR621LP)
  • CD (FDR621)
  • Label(s):
  • Future Days Recordings

The Family Of Apostolic
The Family Of Apostolic

The Family Of Apostolic is a strange and rare album, a way for John Townley to live out his vision of wild happenings in his decked out New York studio. 19 people contributed to this one-off record, which pushes 60’s-era folk-rock and many more genres through all manner of studio wizardry. This reissue on Future Days Recordings should open it up to a few more ears.
  • Vinyl Double LP (FDR613LP)
  • CD (FDR613)
  • Label(s):
  • Future Days Recordings

Francoise Hardy
Le Premier Bonheur Du Jour

The legendary Francoise Hardy is pretty much the sonic epitome of 1960’s French cool, and Le Premier Bonheur Du Jour is only her second record, but her self-penned songs already sound perfectly Hardy. A sleek set of recordings, carefully remastered and reissued on 180g vinyl reissue by Light In The Attic and Future Days Recordings.
  • Vinyl LP (FDR615LP)
  • CD (FDR615CD)
  • Label(s):
  • Future Days Recordings

Francoise Hardy
Mon Amie La Rose

The legendary Francoise Hardy is pretty much the sonic epitome of 1960’s French cool, and Mon Amie La Rose is her 1964 album: the year she became a major player. Sleek and beautiful recordings full of period flair, fully remastered from the original mono tapes. Reissue on Light In The Attic and Future Days Recordings.
  • Vinyl LP (FDR616LP)
  • CD (FDR616CD)
  • Label(s):
  • Future Days Recordings

Francoise Hardy
L'Amitie

The legendary Francoise Hardy is the sonic epitome of 1960’s French cool, and L’amitie dates from 1965, by which time she was fully established. Just implausibly sleek and beautiful. Remastered from the original mono tapes and reissued CD and 180g LP on Light In The Attic and Future Days Recordings.
  • CD (FDR617CD)
  • Label(s):
  • Future Days Recordings

Francoise Hardy
La Maison Ou J'ai Grandi

Pop star, style icon and Dylan fraterniser Francoise Hardy gets a light shone on her work with a fresh reissue of La Maison Ou J’ai Grandi. Originally released in 1966 at the height of London and Paris’ musical powers, this international work showcases the singularity of her talent. Out on CD and vinyl LP from Future Days Recordings.
  • Vinyl LP (FDR618LP)
  • CD (FDR618CD)
  • Label(s):
  • Future Days Recordings

Willie Thrasher
Spirit Child

Willie Thrasher is of Inuk descent (essentially a Canadian Inuit), and this LP, his debut from many decades ago, expresses the experience of growing up in a society that tried to erase him. Spirit Child shows more than a taste of Neil Young in Thrasher’s vocal style, but with a significantly different cultural background. Reissue on Future Days Recordings.

Goldberg
Misty Flats

‘Misty Flats’ is the solo debut by Goldberg (aka Barry Thomas Goldberg) of seventies Minneapolis power pop group, The Batch. Featuring Goldberg’s friend Michael Yonkers, the album was recorded on a two track Ampex machine over two days in the mid seventies resulting in an album of disjointed, lonely folk coloured by the disbandment and cultural/political uncertainty of the time.
  • Label(s):
  • Future Days Recordings

The Grateful Dead
Three From The Vault

On 4x12” LP house in gatefold Stoughton “tip-on” jacket. available on vinyl for the first time this is a live recording from a run of show The Grateful Dead performed at Capitol Theatre, NY. These full multi-track recordings, remastered in 2014, feature the debut performances of tracks such as Bird Song and Deal.
  • Label(s):
  • Future Days Recordings

The Grateful Dead
Two From The Vault

With The Dead there’s not really much you can say, and an item like this is sure to get one’s inner Deadhead excited (assuming you have an inner Deadhead, of course): released on vinyl for the first time (and fancy vinyl, with all the trimmings), these recordings from 1968 show the band at their most experimental and improvised. Light in the Attic always do a good job with their reissues, and this is no exception.
  • Label(s):
  • Future Days Recordings
  • Label(s):
  • Future Days Recordings