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Fire Soundtracks Vinyl, CD & tapes from this label at Norman Records

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Tangerine Dream
Miracle Mile

Steve De Jarnatt's Miracle Mile is a niftily contained apocalypse movie in which our societal collapse takes place through one day/night cycle. The score was done by the usually chill Tangerine Dream, who ramped tension up through forty minutes of feverish synth phenomena. It's both a testament to the sin...view item »

Jon Brion
Lady Bird

This is the first time this soundtrack has come on the music market as a full release. A collection of rather mellow and easy-listening music, Jon Brion's Lady Bird is available on three different formats: CD, LP and a limited edition white vinyl LP. This original motion picture soundtrack has been released by Fire Soundtracks.&...view item »

The Lobster (Original Motion Picture Soundtrack)

Have you seen ‘The Lobster’? It’s pretty weird but pretty great. Like imagine going on First Dates but you get turned into an animal if you don’t immediately fall in love. Anyway, this is the soundtrack to that film, featuring tense orchestral pieces from Stravinsky to Beethoven to ...view item »

Graham Reynolds
A Scanner Darkly (Original Motion Picture Soundtrack)

The state of dependence. It’s a tricky one, because sometimes I depend on the cats to keep me cuddly and warm on those long, dark winter nights in the depths of Yorkshire. But here, the story (I take it) tells of Keanu Reeves, stoned to his core on something called Substance D (shorthand for Death)... like, ...view item »

Angelo Badalamenti
Blue Velvet (Original Motion Picture Soundtrack)

The soundtrack to David Lynch’s 1986 movie ‘Blue Velvet’ perfectly suits the edgy film noir feel of the now classic film. It mixes original compositions from long term Lynch collaborator Angelo Badalamenti with the sort of originals that would suit the jukebox of any any shadowy dive ba...view item »

Paul Haslinger
Halt and Catch Fire (Original Television Series Soundtrack)

Synths… lots of synths. Twinkling synths, pulsing synths, synths with arpeggiators and synths with drumbeats, preferably of the 4/4 variety. This is what you’ll need if you’re going to make a soundtrack to a television series about the early days of the Internet in the 1980s. Also, you might like to draft in Paul Haslinger. He...view item »

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