LAST FEW BITS OF BLACK FRIDAY LIMITED VINYL STILL AVAILABLE!

Punk / Hardcore / Post-Punk

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Alesia Cosmos
Exclusivo!

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Bad Daddies
Over 30 Singles

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Andy Human & The Reptoids
Kill The Comma

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Razz
Time Frames

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Des Demonas
Des Demonas

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Suicide
First Rehearsal Tapes

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Touché Amoré
Stage Four

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All Pigs Must Die
Hostage Animal

All Pigs Must Die are a ferocious heavy ensemble that features members of bands as notable as Converge, Bloodhorse, and The Hope Conspiracy. Hostage Animal is their newest statement of bleak fury, packed full of metal riffs and crusty hardcore punk punch. Ten tracks and no mercy. Released by Southern Lord.

The Mekons
Mekonville

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OCS
Memory Of A Cut Off Head

What must it be like to make a record every week? Well John Dwyer is trying to find out with his various Thee Oh Sees, Oh Sees and OCS records simultaneously causing panic within our filing system. This latest release sees him reunite with vocal foil Brigid Dawson creating a hushed affair at odds with his recent energetic garage rock. Back to the roots. Quiet and sumptuous. 
  • Vinyl Double LP (CF100X)
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  • Coloured vinyl
  • Limited edition
  • Last copy
  • Vinyl Double LP (CF100)
  • In stock and ready to ship
  • Last copy

Ut
Ut + Confidential

First out the gate for the Ut reissue series are the debut EPs from the New York no wavers. Ut’s is a darker and more angular take on the bass and rhythm centred approach they share with contemporaries Liquid Liquid and ESG. Admirably inventive and non-hierarchical. Available on CD or 12” cut at 45 rpm.

Table Scraps
Sick of Me

Brummie garage punks Table Scraps follow a slew of cracking singles and an LP with a new 7”. Sick Of Me continues in their tradition on self-produced, self-styled, reverb-soaked garage rock. The band have notably been picked to support legendary punk acts The Stranglers and Buzzcocks. On Zen 10.

Brenda Ray
D'Ya Hear Me! : Naffi Years 1979-83

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A Certain Ratio
The Graveyard and The Ballroom

The Graveyard and the Ballroom was the very first album released by A Certain Ratio. It was recorded by legendary producer Martin Hannett and shows the band in their beginning stages, starting to perfect the danceable post-punk that yielded true rewards on their follow up opus To Each. Re-issue on Mute. 

Abattoir Blues
Blinded

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Bed Wettin’ Bad Boys
Rot

Two steps ahead of anyone hoping to insult them with a jeering nickname since 2009, Sydney’s Bed Wettin’ Bad Boys return to peddle their rather raucous, slightly punkish and unapologetically dated rock & roll. Rot is their second LP, released on LP/CD by their own label R.I.P. Society and brims with filthy bass, fabulously harsh guitars mixed high and hoarsely-barked vocals.

Nikki Sudden & Rowland S. Howard
Johnny Smiled Slowly

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Drunk In Hell
Drunk In Hell

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Crown Larks
Population

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Permission
Contagious Life

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Eyeless In Gaza
Rust Red September

Eyeless In Gaza were an artsy duo operating first in the 80’s, and then in the 90’s after a break of a few years. Inspired by an Aldous Huxley novel of the same name, Martyn Bates and Peter Becker put together a highly atmospheric set of tracks with Rust Red September, re-released now on double white vinyl.

Karate
Operation: Sand / Empty There

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The Traditional Fools
The Traditional Fools

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Fox Face
Spoil + Destroy

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Killing Joke
Twilight of the Mortals

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AUTOBAHN
The Moral Crossing

The third album from Leeds post punk kraut lot Autobahn manages to be both blistering and explore less brutal concepts such as love and emotion. The bands gruesome, pulverising sound should appease any fans of Bauhaus and Joy Division still lurking about.  *We have copies of the limited GREY vinyl edition - EXCLUSIVE to shops in Leeds* 

Hot Water Music
Light It Up

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Converge
The Dusk In Us

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Proto-Idiot
Leisure Opportunity

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Aathens
Virtue Signal

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Thee Headcoatees
Punk Girls

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Dirty Fences
Goodbye Love

Dirty Fences hail from Brooklyn. Goodbye Love is their third album. The band have created a sound of their own with chugging guitars and blissful harmonies, whilst not being scared to wear their punk and rock influences on their sleeves. Redd Kross, Dictators, MC5, Johnny Thunders, Ramones, Kiss and even Motley Crue have shaped this New York four-piece's musical stylings. The album also features a guest appearance from Christina Halladay of Sheer Mag.

Darlene Shrugg
Darlene Shrugg

Not a person but a band who seemingly eschew all forms of internet presence they are however made up of people you may have heard of. Former Slim Twigs and Tropics folks began collaborating with Meg Remy of US Girls and the unlikely trio were then joined by further people who had already traded under the name Ice Cream. Their interesting dynamic seems to be influenced by the raw rock power of Black Sabbath and the garagey rock splurted out by the likes of the Hives and the Strokes. 

Display Homes
Climate Change

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Asphixiation
What Is This Thing Called 'Disco'?

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Penny Rimbaud
What Passing Bells

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The Plan
Nervous Energy

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Basement 5
In Dub

Dub companion to the reissue of the London post-punk band’s sole LP, the Martin Hannett-produced 1965-1980. In some cases the craze of using dub techniques to expand the aesthetic horizons of guitar bands seemed opportunist or overly optimistic, but Basement 5’s original rhythms were solid enough, and the basslines heavy enough, for that approach to make sense in this case. It’s a high-energy half hour that emphasises the extremes of Hannett’s production and a worthwhile companion piece to the parent LP.  

tenebrous LIAR
The Cut

Sludge-tastic, borderline slowcore DIY rock from tenebrous LIAR on their eighth LP, The Cut. Also a photographer known especially for expressive, atmospheric portraiture, Steve Gullick deals with some thoroughly dreary demons this time, coming out a bit like a quiet Have A Nice Life. Ben Edgar (percussion) and Brian Casey (bass) join Gullick’s vocals, guitar, piano and organ.

Basement 5
1965-1980

Hard to believe that a prime post-punk era Martin Hannett production has languished in relative obscurity for so long. Basement 5 were a short-lived, all-black London band operating in a similar dub / punk territory to early Public Image Ltd and Killing Joke. At one point fronted by Don Letts before photographer Dennis Morris took over, this, their sole LP, features Blockhead "Gentleman" Charles Charles sitting in on drums. There’s a nice balance between a heavy and precise rhythm section and scratchy, sloppy guitar and vocals, lyrically politicised as you’d expect, with Hannett applying some effects familiar from his work with Joy Division and others. The CD version features the In Dub EP, available separately on vinyl.

Ramones
Leave Home

The first four Ramones albums are essential as far as any punk fan is concerned. 'Leave Home' is their second album and it saw the New York leather jacket sporting legends double tracking their sound for a more polished sound than their iconic debut. The rapid-fire rhythms, short pace and catchy bubblegum melodies are still more than apparent, as are the hits. You'll find 'Gimme Gimme Shock Treatment', 'Pinhead', 'Swallow My Pride', 'Commando' and 'California Sun' on this record which spits in the face of any idea of a sophomore slump. "One two three four!"

Shoc Corridor
A Blind Sign

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The Suburban Homes
Unemployed / Anxiety Attack

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The Undertones
Get Over You (Kevin Shields 2016 Remix)

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Pissed Jeans
King of Jeans

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Partisan
We Have Been So Terribly Betrayed

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Pere Ubu
20 Years In A Montana Missile Silo

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King Khan & The Gris Gris
Murderburgers

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Soviet Soviet
Fate

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Feral Ohms
I Fall / Sweetbreads

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Sleaford Mods
Fizzy

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Protomartyr
Relatives In Descent

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CTMF
Brand New Cage

Wild Billy Childish with yet another album here, more specifically his fifth in as many years with CTMF. While his work rate remains astonishing, what’s perhaps more impressive is that most of the stuff he comes up with is still pretty damn good. Cuts like ‘Are You Better Than Me?’ and ‘The Punk Was In Me (And It Had to Come Out)’ are delightfully pig-headed garage rock. New bassist Nurse Julie contributes two tracks to Childish’s ten. Out on Damaged Goods.

Satan's Satyrs
Black Souls

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Monster Treasure
II

Big and chunky indie-grunge-pop-punk songs from Monster Treasure, a Californian band. Their II album tears it up with rad grrrrrl riffs and a relentless pummelling of melodies, adding up to a record you could surely enjoy while driving with the windows down to the beach or some other good time. Released by Leisure & District.

Cassels
Epithet

Cassels are here, and they are doing that life in a small English town antagonism thing via the medium of chunky-chuggy fast rock-metal. The lyrics are verbose and sarcastic but very firmly down to earth, which I guess earns them their crucially valued authenticity. Epithet is their debut album, out on Big Scary Monsters.

OFF!
Live at 9:30 Club

You can pretty much call them a supergroup, made up of members from Circle Jerks, Burning Brides, Redd Kross, and Earthless, and here they captured in their natural state - raw and pure energy. Smashing out 15 songs in under 30 minutes whilst supporting Dinosaur Jr. in 2011. Limited repress on Outer Battery.

KBT
Suck More Piss

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Dead Kennedys
Plastic Surgery Disasters

There are plenty of punks out there who prefer Dead Kennedys' second album to their iconic debut 'Fresh Fruit For Rotting Vegetables'. Whilst 1982's 'Plastic Surgery Disasters' may not have the immediate hits or the most well-known songs by the group, it's a leaner, meaner, more experimental and more expansive follow-up. The run of tracks from 'Buzzbomb' to 'Bleed For Me' is one of the best in hardcore punk, featuring DK classics 'Halloween' and 'Riot' along the way. An ugly, sharp, raw, and satirical slab of punk.

Spray Paint
Cussin'

Purposefully loose, mixing no wave and post punk, Spray Paint display their rockin’ chaos through three tracks recorded live in the Blue Room at Third Man Records. There was a studio version of Cussin’ released as a single back in 2014, but this version, for its performance and lyrics, in the current state of the world, is much needed.

Thee Oh Sees / Ty Segall
The Drag / Maria Stacks

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Datenight
Bad Times / Not Myself

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The Bronx
V

Ah The Bronx: a band who can be relied upon to blast the listener with fierce hardcore fury (well apart from when operating as Mariachi El Bronx that is). Album number five, titled V, does everything you want it to, dripping with fuzz and thrashing attack-power all the way. Released by Cooking Vinyl.

Snapped Ankles
Come Play The Trees

Snapped Ankles are a London group making their full-length debut right here and right now on The Leaf Label. The band apparently love to play shows while dressed up as trees, but you can’t really hear the foliage on these recordings. You’ll have to make do with chunky-funky synthesiser lines and fuzzy guitar melodies instead. Come Play The Trees is released by The Leaf Label.

Pet Crow
How Are You Wired

Unlike the pet seagull that was a recent barely fathomable news story, this is instead a Pet Crow. The band have already built up a good following and have been featured in all the magazines. They play a brand of raucous garage and punk rock which has drawn comparisons to the Sonics and the Julie Ruin. 

Ritual Howls
Their Body

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Snapped Ankles
The Best Light Is The Last Light

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Bad Nerves
Radio Punk

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The Fall
A-Sides 1978-2016

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Havah
Contravveleno

Havah are an Italian band who, for their third album of stern and cold post-punk, have decided to delve into their country’s dark history of Nazi occupation and Fascism. Contravveleno is thus an intense listen, with the industrial and cold-wave dials turned up to the maximum. Released by Maple Death Records in a limited edition of 300 LPs.

Impalers
Cellar Dweller

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Modern Art
Oriental Towers

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Sparrow People
I Thought Of You / Baby Foxes

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Public Psyche
No New Violence

It is our happy duty to report to you that the band Rape Blossoms are now going by the better name of Public Psyche, and it is under that name that they present to you their third album, No New Violence. The vibes are murky but slick, with underslung basslines, howling guitars and slippery synths creating some very post post-punk. Out on Hypertension.

Mick Trouble
It’s The Mick Trouble EP

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Shilpa Ray
Door Girl

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Natterers
Toxic Care

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Pregnancy
Urgency

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Gen Pop
On The Screen EP

Gen Pop are a good ol’ punk band and On The Screen EP is their take on the modern world. From us all being chained to a screen of some kind to violent musings on excess and frustration, Gen Pop unleash some mean old guitar noise and some heavy vocals across five tracks on this raucous 7” on Upset The Rhythm.

Lower Slaughter
What Big Eyes

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The Clash
Sandinista!

The Clash were mocked mercilessly at the time for this sprawling 3LP album which contained 36 tracks taking in funk, reggae, jazz, gospel, rockabilly, folk, dub, rhythm and blues, calypso, disco, and rap. Some of it may be rubbish but lots of it is very very good indeed. Imagine, say, I don't know,  the Libertines making a record like this at the height of their success. Wouldn't happen  - that's why the Clash are special. 

Cobra Man
New Driveway Soundtrack

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Scissorgun
Assault Two

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The Underground Youth
Delirium

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Wolf Girl
Moody

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Low Life
Dogging

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Kuro
Hardcore Damnation 1983-1986

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Eyeless In Gaza
Picture The Day - A Career Retrospective 1981-2016

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Various
New Order Presents Be Music

Be Music is the umbrella name for the various extracurricular activities that the individual members of New Order got up to in their time away from the band. Lots of productions and remixes for acts including Section 25, A Certain Ratio and Factory Floor. This overview release, spanning the whole course of the band’s existence, compiles twelve tracks on the double vinyl edition and thirty-six tracks on the triple CD edition.

Neurosis
The Word As Law

Reissue of Neurosis’s second full length album The Word As Law. Released in 1990 this was still a precursor album to the more avant garde doom laden band we know today, but they were still pioneering, mixing punk and hardcore fury with metal musicality and brunt. Remastered and released through Neurot.

Housewives
FF061116

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Flat Worms
Flat Worms

Flat Worms are the latest band of guitar-driven party noisemakers to be circulated by John Dwyer’s Castle Face label, and they’ve just delivered their debut full-length album. Flat Worms is gorgeously gnarly, with guitars riffing on the point of feedback and a high-powered rhythm section whipping everything into a frenzy. Good fun.

Side Eyes
So Sick

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