How do approach the dire state of contemporary global affairs in art without doing so in a way that’s literal and reductive? It’s a quandary Lamin Fofana grapples with on 'Brancusi Sculpting Beyonce', using a form shattering kind of electronic experimentation to do so. The results are never less than fascinating, and suggests Lamin Fofana is an artist never satisfied with easy answers.
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