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Dead Can Dance Vinyl, CD & tapes by Dead Can Dance at Norman Records

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Dead Can Dance
Dionysus

Neo-hippy and alternative stoner sweethearts Dead Can Dance are finally back with their first new album in six years. I’m sure you won’t be surprised to learn that Dionysus is about reaching a state of trance, about spiritual journeys, about combining musical folk traditions from all across the world.

Cye Wood & Lisa Gerrard
The Trail Of Genghis Khan

Lisa Gerrard (of Dead Can Dance) and Cye Wood collaborated on this music as an accompaniment to the film The Trail Of Genghis Khan, a film about Mongolia seen through the perspective of an Australian man. Strings and voice build up the backbone of this record, creating sparsely beautiful atmospheres. Vinyl release on the splendidly named Infinite Fog label.

Dead Can Dance
The Serpents Egg

A reissue of the inimitable Dead Can Dance’s 4th studio album The Serpent’s Eggs. Their first album that was entirely recorded in their own studio, giving them complete freedom to create their unique blend of ethereal middle eastern tones, African rhythms and 80s experimentalism. One of 4AD’s biggest acts in their earlier years, and still just as powerful.

Dead Can Dance
Garden of Arcane Delights / The John Peel Sessions

The one and only EP ever produced by Dead Can Dance, Garden Of Arcane Delights, gets a repressing on 4AD. The hard-to-define Australians sound plenty dark and ethereal on this 1984 release, one of their earliest. And to give you more Dead Can bang for your buck, this reissue also includes two Peel Sessions recorded around the same time.
  • Artist(s):
  • Dead Can Dance
  • Label(s):
  • 4AD
  • Artist(s):
  • Dead Can Dance
  • Artist(s):
  • Dead Can Dance
  • Artist(s):
  • Dead Can Dance

Dead Can Dance
DCD1


  • Artist(s):
  • Dead Can Dance

Dead Can Dance
Within The Realm Of a Dying Sun

Within The Realm Of a Dying Sun was the third album by famed Aussie duo and 4AD mainstays Dead Can Dance. It split the vocal contribution equally down the middle between Brendan Perry and Lisa Gerrard but was otherwise business as usual if usual is the right word for tinkering around with Indian and Middle Eastern sounds alongside church choirs, lashings of hammered dulcimer and the duo's unique vocals. 
  • Artist(s):
  • Dead Can Dance
  • Label(s):
  • 4AD

Dead Can Dance
Dead Can Dance

Dead Can Dance have always been one of Australia's finest alt-rock exports, approaching post-punk and goth vibes with an experimental eye: the instrumentation on their 1984 self-titled debut includes Chinese dulcimer instrument the yangqin and some paint tin percussion. Reissued in a replica of the original sleeve, by 4AD.
  • Artist(s):
  • Dead Can Dance
  • Artist(s):
  • Dead Can Dance
  • Label(s):
  • 4AD
  • Artist(s):
  • Dead Can Dance
  • Label(s):
  • 4AD
  • Artist(s):
  • Dead Can Dance
  • Label(s):
  • Artist(s):
  • Dead Can Dance
  • Label(s):
  • Artist(s):
  • Dead Can Dance
  • Label(s):
  • 4AD

Dead Can Dance
Spleen & Ideal

Dead Can Dance have always been one of Australia's finest alt-rock exports, approaching post-punk and goth vibes with an experimental eye: on Spleen & Ideal, their 1985 second album, they ditched the guitars you’d expect them to be playing, replacing them with cellos and trombones. Reissued in a replica of the original sleeve, by 4AD.
  • Artist(s):
  • Dead Can Dance
  • Label(s):
  • 4AD
  • Artist(s):
  • Dead Can Dance
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Dead Can Dance
Into The Labyrinth

Into The Labyrinth was the sixth album by Dead Can Dance. Released in 1993 it was also one of their most commercially successful outings. The Australian duo of Brendan Perry and Lisa Gerrard wrote their songs separately highlighting their individuality for the first time. The album is also the first where the pair played all the instruments themselves. Taking influences from world and folk music, the art rock duo make music that is equal parts beautiful and mesmerising.
  • Artist(s):
  • Dead Can Dance
  • Label(s):
  • 4AD
  • Artist(s):
  • Dead Can Dance
  • Label(s):
  • 4AD