William Ryan Fritch Vinyl, CD & tapes by William Ryan Fritch at Norman Records

Fans of stylishly swooping grandeur rejoice, for Lost Tribe Sound’s resident composer of vignetted post-rock and post-folk ambient – William Ryan Fritch – is dropping a new double album. Deceptive Cadence couples a pruned and re-released Volume I with the all-new Volume II of Fritch’s bulging film soundtrack work. That Ryan sure gets around!

‘The Dregs’ by Vieo Abiungo (A.K.A. William Ryan Fritch) brings to mind myriad folk traditions from all across the globe, with a highly unique and exploratory attitude towards percussion. The label releasing the album, Lost Tribe Sound, focus on a meshing of electo-acoustic and beat experimentation, and Fritch’s wildly distinctive approach to composition fits in perfectly.

Clanging dark-hued composer William Ryan Fritch wrote this album around the time he was expecting his first daughter so the album naturally has the air of worried expectancy. This is a powerful music that will appeal to fans of Swans, Godspeed and Jon Mueller the latter of which Fritch collaborated on his similarly scary 'Tongues' album.  

William Ryan Fritch is the in-house music maker for action-camera manufacturers GoPro. Birkitshi: Eagle Hunters is a new project of theirs, focusing on the epic landscapes of Mongolia. Fritch’s soundtrack draws on the traditional instruments and the ever astonishing throat singing techniques of the region, as well as on his own sweeping compositional skills. This bold music comes with a download code for a PDF booklet and some bonus tracks. On Lost Tribe Sound.

William Ryan Fritch is known to many for his soundtrack work for films (on titles such as The Waiting Room), but Ill Tides is entirely its own thing. These songs are closely-designed things, with harps and strings and experimental textures. Released by Lost Tribe Sound as part of their Dead West Tape Series. Edition of 100.

The limited edition of 250 physical copies come housed in a 7.5" x 5.5" panoramic gatefold case made of heavy stock. The editions were printed on an antique Heidelberg press by the world renowned Stumptown Printers based in Oregon. The artwork features a series of incredibly detailed ink paintings from Sail (uselessarm). Each edition comes with a glass mastered matte finished CD, and a double sided lyric insert, and digital download code, offering a choice of formats including 320MP3, FLAC, 24bit WAV, etc.)

Available on CD, and vinyl LP presented in a bound jacket alongside matte printed artwork limited to 300 copies. William Ryan Fritch pushes his highly cinematic blend of modern classical and world music which, in a strange way, is simultaneously pleasant and overbearing. Suits the Lost Tribe Sound label down to a T!  

Walking through the far reaches of modern classical music, William Ryan Fritch’s sometimes lures us further in with little bits of post-rock tension. Our ears twitch and rise as we recognize a growth behind the pretty melodies, something building. Leave Me Like You Found Me will only have 450 copies, all of which come with an exclusive bonus cd download code.