Silk Flowers are certainly vying for curious record of the week, having put 10 songs on a large vinyl record through Post Present Medium and called it after themselves. The music is quite brilliant in parts, taking in lo-fi cold wave electro ala Netherlands' Trumpett imprint, dinky mechanised kraut-pop and eyebrow raising analogue effects are only faintly marred by the Vic-Reeves-does-Ian-Curtis stentorian wonky robot goth vocals on half the tracks. As a contemporary tribute to late 70s/early 80s European synthesizer music & more deviant industrial pop experiments, this is a bloody excellent effort, consistently interesting & only occasionally hilarious to the point where our Anthony's shoulders start juddering like pistons. Sort those vocals out and you've got a potential album of the week in my eyes!
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What their label says...
· The lo-fi quality of ‘Silk Flowers’, recorded with Fred Thomas of Saturday Looks Good To Me and City Center, reinforces the bittersweet, emotional shadings of singer / multiinstrumentalist Aviram Cohen’s baritone voice, suggesting Scott Walker fronting an early Mute Records group. · Songs lead by vocalist / electronics player Ethan Swan recall the adenoidal Fury-era Chris Thompson backed by a mechanized version of Crass. And the music throughout, anchored by keyboardist Peter Schuette, fits beguiling melodies sometimes reminiscent of utopian krautrockers Harmonia and Tangerine Dream into condensed pop structures. · The group, encompassing one half of Car Clutch (Swan) and former members of Soiled Mattress And The Springs (Cohen, Schuette), creates a sound that bears little resemblance to the musicians’ past efforts. But Silk Flowers have a clearly traceable lineage in the softly spoken history of electronic music and the darker recesses of pop past. The result? A percolating grid of swelling, anthemic keyboards, analogue heaven, tape echo, crackling, sometimes-dub-like rhythms, and carefully counterbalanced vocals.
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