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...according to our Brian on Fri 09 May, 2008.
noise noise noise. Sissy Spacek make noise like theres no tomorrow. On 'French Record' squalling fuzz gives way to some abstract tinkering like a retarded chimp trying his hand at tuning a broken guitar. Then the cerebral rinsing hits you in the face like a juggernaut of hateful audio vomit. Now ambles in the chimp again with his mates to smash the studio in half. I think they've drunk a case of stella & done some real strong acid. This is a CD of men breaking sound really badly and kicking it around in a bored, nihilistic fashion. Quite simply very entertaining & a little unsettling. John Weise & Kevin Drummmmmmmmmmmmmmmm are the main protaginists here & they sound like they're having a right old hands-on frown & grimace at everything including the kitchen sink. I bet they never tidied their bedrooms as children and told their mums to go suck a fuck when requested to do so. This is just (not) lovely. On the ever bizarre Dual Plover, like an Aussie V/Vm test recs.sissy spacek - the french record . yep sissy spacek - dual plover a match made in heaven . Here is the speil "Since 1999, Sissy Spacek has been one of the most difficult groups around, with a starting point of full-on blur/grindcore and an evolution to the definition of the most extreme/intense fringes of musique concrete, instantly identifiable by the handywork of John Wiese. On this, their fifth proper album, Sissy Spacek explore new
territory, as always, and take turns no one could foresee into electro-acoustic improv, collage, industrial, noise and heavy metal, with a line up that includes Kevin Drumm, Kate Hall (Mika Miko), Sam Ott (The Fucking Angels), Corydon Ronnau, John Wiese, and C. Spencer Yeh (Burning Star Core). French Record is their strongest and most mature yet." We already have advance orders for this disc so again don't hold out because they will all be gone.
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