So it Goes kicks off in a sorted fashion, but eventually is underpinned by a bubbling bass line which nods back to the day when bass-lines had to come from that famous Roland kit. A tight clap keeps things together and moving onwards, but over time So it Goes starts to move in opposing directions and seems to go forwards and backwards at the same time.
Pellicci borrows its name from an East London, Italian run cafe, a lively and busy spot, but possibly instilling half Italian, Zurich born Radovan Scasascia with memories of a different time and a different place. This is the track more connected to earlier AM/PM work, concerned with the erosion of clock-time, entering the perceived time of perhaps, Michelangelo Antonionis Il Deserto Rosso.
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