CRACKLE is an off-kilter collaboration between bass player Nick
Doyne-Ditmas and drummer Frank Byng, that draws on their extensive
experience as musicians and producers. Through a series of studio
experiments and improvisations the duo reference a wide range of
traditions and practices, moving between analog and digital, acoustic
and electric, lo-fi and hi-fi. Theirs is a musical blog about the
cross-cultural traffic of south London, a soundtrack to the highways
and byways of a discombobulated city.
Loosely inspired by the post-drop out novel Stone Junction by Jim
Dodge, Heavy Water steals a glimpse at the toxic monstrosities brewing
in pop's occult laboratory - the dark and dangerous world music
constrained beneath its bubblegum smile. Elegiac cornet and haunting
melodica sound a thematic last post over a seething rhythmic morass,
and conjure premonitions of an imminent crash landing.
Starting from the drums and bass, CRACKLE deploy an unconventional
arsenal of analog vs digital instruments, strange treatments, close
miking, forced processes, chance and accident, as techniques to unlock
something both strange and familiar. Details are amplified, spaces are
filled and emptied, surfaces are polished or tarnished, unstable
elements are left to react.
The result is a low-end excursion into the cracks between dub,
electronica, future-past world sounds and freer jazz imaginings.
Although one can hear echoes of the strategies of Eno, the obliqueness
of Perry, the widescreen of Morriconi and the free-spirit and
musicality of Codona, Heavy Water maps its own trajectory to create an
album that is impossible to pigeonhole
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