Recorded at The Hive Studio in Vancouver (with the help of a
sizeable grant from the Canadian government and the talents of nine
guest musicians), Come Into My House achieves an unexpected
cohesiveness despite the wide range of musical styles covered in its
forty-one minutes. Golden era Hollywood musicals, Jam &
Lewis-inspired production techniques, the icy displacement of
contemporary r'n'b, and the breadth of Arthur Russell's, disco, pop,
and avant garde compositional work are referenced and married together
by novelistic narrative strains, a lush instrumental palette, and a
cinematic atmosphere.
Come Into My House is an album set in the
perpetual Autumn New England of Douglas Sirk's classic melodramas.
Krgovich's songs are populated by stuffy, lonely, Ivy League educated
recluses with amazing wardrobes, languishing in empty beach houses
while the leaves whip past enormous picture windows. Its dreariness in
only the broadest of gestures, made Technicolor and hugely romantic
with sweeping orchestral arrangements. Like the characters in an Alex
Katz painting coming to life and bursting into song, Come Into My House
turns the mundane into cinemascopic musical extravaganza. Its easy to
imagine Busby Berkeley-esque dance numbers for any one of these twelve
tracks. Ambitious to the point of absurdity, Come Into My House is an
album too grand to ignore.
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