Sci-fi bristles with
cautionary tales of gene-splicing and its freakish consequences, but in an
Alternative Tentacles tome, “freakish” is a desirable trait. Triclops!, a
result of SF Bay Area inter-band splicing (featuring members of Bottles and
Skulls and the Lower Forty-Eight fortified by personnel from AT stalwarts
Victims Family and Fleshies), assaults the public with the best acid punk around
today. Don’t let their pedigree fool you: Triclops! Turns the dial down on the
bellicose punk/hardcore you might expect, instead opting for meandering yet
tension-filled psychedelic epics. The seven songs on Out of Africa, their first
full-length, are reminiscent of the golden hits from the 1990s Touch and Go or
Amphetamine Reptile catalogs, tweaked out on the exhilarating paranoia typical
of America
in the early aughts. Distorted vocals, oscillating bass lines, and jittery
guitars form a nervous, seasick swath over the plodding drums. Songs unfurl
into worlds of their own with byzantine lyrics-the lament of an Iraqi museum
curator in one, an ode to the botfly (a tropical parasite) in another-while the
music explores variations in tone and urgency. Positive reviews followed their
EP on Sick Room and picture-disc 7-inch on GSL; expect gushing praises for this
fine morsel of acid punk-prog. Featuring AT veterans Larry Boothroyd of Victims
Family on bass and John Geek of Fleshies on vocals; other members were in
Bottles and Skulls (Sick Room) and Lower Forty Eight (Monotreme). Toured with
Qui, played with the Melvins, Acid
Mothers Temple,
Don Caballero, Comets on Fire, Circle, etc. Recorded with Kurt Schlegel, the
Melvins’ engineer, at his Lucky Cat Studio. “The Triclops! version of punk
rock destabilizes preconceptions with every twisted minute. Best live band in San Francisco? Provided
you like your music unpredictable, aggressive, and more than a little bit
threatening-yes.” -SF Weekly. “Super proggy acid-punk ... breaking down into
some surprisingly melodic pop, before getting heavy and crazy.... For anyone
that’s been missing that old ’90s Touch and Go/AmRep sound, or people that just
love proggy flipped out PUNK RAWK, this is definitely recommended.” -Aquarius
Records. “Completely nostalgic and futuristic at the exact same time, combining
the best things about the edgy, analog era of post-hardcore. But it finds new,
immediately satisfying and legitimately acrobatic ways of putting everything
together.” -The New Scheme.