...according to our Phil on Fri 23 Nov, 2007.
Sylvain Chauveau is well mardy. In my other hand is 'Nuage' his new album on Type Records which is your more typical Sylvain neo classical misery. His last album was a bit too abstract for me and even after a few listens I just couldn't get into it. Nuage is more like his Un Autres December release on Fat Cat or the Des Plumes Dans La Tête on Les Disques Du Soleil Et De L'Acier. Strings and piano working together to make a sombre, moving and completely beautiful album. Fans of Max Richter will lap this up like cat that's had no milk for 4 days. LovelyType has always been committed to releasing music with visuals in mind; ‘cinematic music’ is a phrase we coin often, but there’s more than a good reason to use it in relation to ‘Nuage’, the latest album from French composer Sylvain Chauveau. He last surfaced with ‘S.’, a short-form record exploring his more electro-acoustic leanings, but this record, which collects his recent scores for two films by Sébastian Betbeder, sees the composer returning to the sound he explored so successfully on FatCat’s ‘Un Autre Décembre’. With a hand-picked group of players on piano, viola and violin with Sylvain himself on electric guitar the music roots itself in the traditions of great film scoring.
There are definite nods to Krzysztof Kieslowski’s composer Zbigniew Preisner in the deep sense of emotion and melancholy, and Chauveau strips his pieces down to the bare minimum of what might be needed, ridding himself of orchestral excess or meaningless sentimentality. Thus short motifs rise and fall, tangling their way through the album, appearing and re-appearing subtly and beautifully.
Even without the visual accompaniment you begin to imagine just what the films may have held, what may or may not have happened; love, loss, deceit and nostalgia. There are clear stylistic links to the work of fellow contemporary composer Max Richter, not least with the scope and quality of the recordings and ‘Nuage’ should delight those who enjoy Chauveau’s romantic side. The album has eschewed any academic experimentation and revels in a haunting simplicity, and for those of us hanging on Chauveau’s every movement the decision couldn’t be more welcome. Maybe the track which sums up the album so perfectly is the centrepiece and longest track ‘Fly Like a Horse’, which interestingly is the only track not to utilize the classical players. With electric guitar and light electronics Chauveau creates a mood and a texture while sounding completely different from the rest of the album, sums it up completely – deeply moving and incredibly memorable.
Track listing: 1) Pauvre Simon 2) L’approach de Nuage 3) Troubles 4) Nuage II 5) Marianne 6) Symptôme N°2 7) Symptôme N°1 8) Vers les Montagnes 9) L'Orée du Bois 10) Le Tunnel 11) Marianne (variation) 12) Fly like a Horse 13) Clara et Simon 14) Nuage III 15) Andréa's Hands 16) Staring 17) Andréa 18) An Old Friend 19) Andréa's Hands II.
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