Not deleted as a lot of people thought, now available at an even lower price. The classic debut album now with B-sides, EPs, Peel sessions, unreleased sessions, and a full live concert, plus a 50-page booklet, all presented as enhancements to a seminal 14-track album. Generous really isn't the word for this lavish reissue of Pavement's first album, dubbed as Slanted & Enchanted: Luxe & Reduxe — it offers an embarrassment of riches, with each new song proving that the band really was not just the best of its kind, but the best of its time. A heady statement, to be sure, but few classic albums would have their status bolstered the way that Slanted & Enchanted does here, with 34 (!) bonus tracks, enhancing an already legendary album in ways that are giddily revelatory. There are wonders to behold everywhere: the surging "Baptist Blacktick," discovering that the previous unreleased "Nothing Ever Happens" is quoted after "Trigger Cut" as "Wounded-Kite at :17," two John Peel sessions consisting of songs that never made the LPs (and it all could, most notably "Kentucky Cocktail"), Watery, Domestic is revealed as a key transition from Slanted to Crooked Rain with its final song, "Shoot the Singer," standing as one of the band's unheralded classics, and the entirety of the December 14, 1992, concert at the Brixton Academy in London is phenomenal, capturing a notoriously erratic live band at the peak of their powers. There's so much material here, the album itself feels like the bonus! But this isn't rarities for rarities sake: it all has something to offer. No other reissue of a single album of any genre has covered its ground so completely and appealingly; there's simply nothing left in the vaults, or on singles, and everything that's been added is worthwhile. It's essential listening.
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