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David Jourdan And Yuji Oshima - 1%

1% by David Jourdan And Yuji Oshima

4...according to our on Wed 31 Oct, 2007.

 

My lazy ass is going to directly quote a press release for the '1%' titled various artists compilation curated by David Jourdan And Yuji Oshima "This double-CD includes all music contributions (114 sound pieces / 01:50:22) to David Jourdan and Yuji Oshima's installation for the elevators of the French ministry of Culture and Communication." Elevator music eh! That's going to bore me shitless you say? Behold!!!!! Music from Alejandra Salinas and Aeron Bergman, Colleen, Constanze Schweiger and David Jourdan , Dat Politics, Dorit Chrysler, Eugene Chadbourne, Felix Kubin, Four Tet and loads more. An exciting line up I'm sure you'll agree. All provide sufficient twinkles pops, melodies, electronics etc. Pretty off the wall at times and almost accessible at others. If this was playing in the elevator I could happily stay in their and chill for a bit. Provided someone brought me my dinner. I love my dinner me.

Disc 1
Alejandra Salinas and Aeron Bergman
Colleen
Constanze Schweiger and David Jourdan
Dat Politics
Dorit Chrysler
Eugene Chadbourne
Felix Kubin
Four Tet

Disc 2
gelitin
L?K?O
John McEntire and Jeff Parker
Nobukazu Takemura
Rashim
Sun Ok Papi K.O.

The Books
Tujiko Noriko
Yoshimi P-we
Yuji Oshima
 
This double-CD includes all music contributions (114 sound pieces / 01:50:22) to David Jourdan and Yuji Oshima's installation for the elevators of the French ministry of Culture and Communication.
According to the French government’s 1% guidelines, one per cent of the total amount spent in the construction of any public building is to be allocated for the realization of site-specific artworks. In this context, David Jourdan and Yuji Oshima were commissioned to create a permanent installation for the new building of the ministry, 182 rue Saint-Honoré, Paris, completed in February 2005.
A temperamental audio playback is set off by accident—one chance in a hundred—in two elevators at the ministry. For once, the 1% is indeed one per cent. The issue is deceptive musak.
Every user of the elevator who presses a button participates in a game in which there is a limited number of possible actions, but a real 1% chance of winning. In short, a mere lottery. When one wins, the reward is an illuminated animation on the cabin ceiling accompanied by a brief audio composition. For that purpose, Jourdan and Oshima invited 17 artists / groups to create 15 to 90 seconds of sound compositions of previously unreleased audio material. Assuming that on average the cabin carries another passenger going to a different floor, a user who takes the elevator 10 times a day, 5 days a week, has one chance per week of winning. With the exception of this brief event, nothing else out of the ordinary occurs.

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