Thomas Belhom - Cheval Oblique

This really is a surprise, I can’t say I’ve heard of Thomas Belhom before but his debut solo album ‘Chevel Oblique’ is something that should not, under any circumstances be overlooked. Firstly I have to let you know that Belhom is a drummer, not just any drummer either – he’s played with a whole host of bands and is currently on tour with none other than the great Stuart Staples (of the Tindersticks) so he clearly knows how to handle a pair of sticks, but it’s quite how he handles them which makes this album so unique and satisfying. ‘Cheval Oblique’ is a percussive record but it’s far from a solo drum album, rather the drums merely take the lead and we hear contributions from Belhom’s collective of friends playing spiky synth, trombone, or double bass while Belhom manages to add tape loops and field recordings to strengthen the mix. It’s a truly blistering technique that while giving the nod to the greats of Kraut-rock and oddly enough Gamelan music, manages to sound totally out on its own. The best comparison I can bring to mind is actually Supersilent or possibly Thomas Stronen’s solo album ‘Pohlitz’, but ‘Cheval Oblique’ is somehow rougher, more lo-fi, more punk in spirit which is a really positive thing. The music sounds energetic and full of life while giving you enough to chew on in regard to technique and skill – it’s like the best Can record never made combined with a Konono No.1, but recorded lovingly to slightly worn cassette tape. Really, experimental music fans, post rockers and indie kids should unite hand in hand and praise the genius of Thomas Belhom for putting together such an earth shaking collection of innovative drum music. If this doesn’t make you want to bang on some stretched skins then I don’t know what will. Huge recommendation.

Be the first to review this record. Best reviewer each month gets £10 off their next order!