1000 Hurts, by Shellac (LP box set on Touch And Go)

Description:	LP/CD in reel to reel tape reproduction box, back in!	UK ORDERS OVER £50 SHIP FREE!
Format:	LP box set
Label:	Touch And Go
Price:	£13.49
Catalogue number:	TG211
Availability:	despatched in 1 working day

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Rating: happy This record left Simon Franklin feeling happy.

One of the greatest things about Shellac is their musical honesty; three guys playing brutal guitar, bass and drums with no frills or overdubs. They are the musical equivalent of being constantly pounded in the face by a metal press.

1000 Hurts is Shellac’s third album, and like it’s predecessors is beautifully packaged; the vinyl record comes in a mock-up of a reel-to-reel tape box with a copy of the CD version chucked in at no extra cost.

Following an announcement of the records technical details comes the opening track "Prayer To God" in which front-man Steve Albini asks the man upstairs to dispose of a former lover (by disease or accident) and her new beau (by what ever way comes to hand) Kill him/ F*****g kill him/Just kill him!! screams our Steve. Given that Albini can allegedly be an extremely difficult individual to deal with, it is interesting to speculate whether this song is genuine hate or just an example of a very black sense of humour. Make of it what you will.

"Mama Gina" features a lengthy but classic Shellac intro, and following the lyrical section, Albini’s guitar explodes into an orgasm of grungy distorted noise underpinned with ferocious drumming. Glorious.

"QRJ" is an instrumental which features radio static in the background so the title could refer to a radio call-sign.

"Canaveral" is another revenge song. In it an un-named guy worms his way into Albini’s life and ends up with his wife! Whether this story is true or not, Albini sounds pretty pissed off (as you would) and dreams of blasting the guy into space, hence the title; Cape Canaveral is where US space missions are launched from.

The final track "Watch Song" is furiously played with lyrics that see Albini offering someone out for a fight.

This entire album appears to be dominated by violence and death. It’s ten songs bring little new to Shellac’s musical canon but suffice to say if you have enjoyed their previous works then 1000 Hurts should be added to your collection.

Review date: 27 September 2007

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Shellac is a band whose members are famous for being super tough nerds. I don't know how they (and most specifically Steve Albini) have managed to gain their reputations as complete hard asses, almost the equivalent of the high school bullies of the "indie rock" world, while at the same time being such nerds who obviously know their multiplication tables really well and are looking for an opportunity to show this fact off. All I know is that, under normal circumstances, toughness and nerdiness are not two personality traits that can peacefully coexist. If you were to put a complete hard ass and a member of the computer club in a room together, I would bet that sooner or later somebody would get their so called "s" kicked out of them. I'd increase the odds of this happening if you put the complete hard ass and the nerd into a cage match cage and filled the audience with pretty boys and sensitive boys and drama club boys and maybe one or two bona fide computer club nerd boys (all of these people don't have to be nerds, just people culled from groups that the high school complete tough ass would perceive to be nerds) who were all taunting the complete tough ass with comments such as, "being a tough ass is very passé," and, "yes, he is right, complete tough ass--completely played out, more like," and "yes, you should tap into your sensitive feminine side like us pretty boys and sensitive boys have, you bad boy," etc. Under these circumstances, my prediction would be that the nerdy kid would not only have his "s" removed from his body, but he would probably not even be alive anymore.

When I first heard rumors about a new Shellac album some months ago, it became important to me to try to predict what a new Shellac album might sound like. And of course the metaphorical construct outlined above was my model for making this prediction. As Shellac fans, we all already are familiar with the nerd/tough-ass dyad that exists in the band, and I think that most of us feel that the tension between these two reactive elements is what makes their music so fun to listen to. However, since the release of Terraform, the two camps within the non-mainstream pop world have shifted even further from their historical state (punk (tough) and new wave (sissy)) to a new, more ambiguous state (emo (sissy) and blandly pretty post rock (sissy)). I felt that whatever conflicts were already brewing within the band's collective personality would surely be precipitated by this state of affairs into an all out and decisive battle that would have one of two possible results. Most likely, the tough ass would utterly destroy the nerd, and 1000 Hurts would be the most pure rock and roll Shellac album ever, probably sacrificing the intellectual side of their music for animalistic brutality. This would be seen by the world at large as a rebellion against the prevalently wussy state of music today, even though it would be actually due, as mentioned, by the latent tension within the mind of Albini and the band as a group. The other, much less likely possibility was that the nerd would maybe win with a lucky sucker punch, and 1000 Hurts would be quieter and prettier, with more concessions to post-rock-ism even than Terraform. Maybe there would even be strings. This would be seen as a concession, although, as before, it would really just be shifting towards a side of the band that's probably always secretly been there.

Neither of these two things happened. 1000 Hurts is a departure from previous Shellac releases, but not in the way I expected. It is texturally similar to their other recordings, with the same dynamic balance between raw power and intellectual control. With apologies for doing so, I return to my somewhat silly conceit by telling you that the nerdy kid and the complete tough ass are still both as present as ever. The model is not completely faulty, however, I just failed to predict one possible outcome. It is my current belief that the complete tough ass reacted to the crowd of sensitive boys not with rage, but with reflection. "Yes," he said, "maybe you are right. Maybe I should be more sensitive. Come, nerdy side of me, let us work together to create an emo album of sensitive love songs for everyone to enjoy." And that's exactly what they did.