...according to our Ant on Tue 21 Nov, 2006.
Constellation is a consistently forward thinking label that always does its own thing regardless of any 'Scene' No surprises then that the new self-titled album from Feu Therese is really very good indeed. The drumming is absolutely all over the place and the synths are pretty wild too. Imagine Broadcast going round to The Butthole Surfers place for a jam then getting wasted on Gibby's stash and then producing a load of whacked out New York punk-funk There are also epic moments on here and and strange synth explorations. Highly original 5 track ep with a load of seagulls singing on the final track. What more do you want???With Fly Pan Am on indefinite hiatus, fans of that band will find much to like with Feu Therese. Channelling the explosive noise-rock collage of their brilliant live performances, this debut album pits a determined, careening rhythm section against a palette of pumping organ chords, shards of electric guitar, vocals often processed beyond recognition, and myriad swoops and squawks. Packed with ideas and sounds, these songs strike a perfect balance of structure and improvisation, making for some very strange - and very catchy - avant rock. The band took shape in Montreal in 2004, headed up by guitarist Jonathan Parant (Fly Pan Am) and bassist/sound artist Alexandre St-Onge (Klaxon Gueule, Shalabi Effect, Et Sans, solo). The group also includes sound artist Stephen De Oliveira and visual-artist-turned-drummer Luc Paradis. From the opening electronic squall of "Ferrari en feu" (the album is dedicated to Luc Ferrari) through the controlled psycho-babbling chaos of "Mademoiselle gentleman" to the unsettling, murmuring calm of "Tu n'avais qu'une oreille" (with De Oliveira on lascivious lead vocal), side A demonstrates the range of the band's influences and syntheses. Side B pushes into more bizarre and playful territory on "L'homme avec coeur avec elle", which mashes up a sultry saxophone solo and vocal chirps, while the band weaves a simple 2-chord twang underneath. Album closer "Ce n'est pas les jardins du Luxembourg" is a longer instrumental composition built around organ drones and processed field recordings, with rhythmic pulses and melodic accents ebbing and flowing, caught somewhere between Dark Side Of The Moon, Sun Ra, kabuki music and the zoo. Good times all around.
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