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Trailer Trash Tracys - Ester

Recommended by us on 6th January 2012

Ester by Trailer Trash Tracys

4...according to our on Fri 06 Jan, 2012.

Here we go, my first review of 2012 and it's from the dodgily monikered great new hopes from indie kings Domino. First impressions of this are generally pretty good, though they have a worrying obsession with that Twin Peaks bassline as it turns up twice, on the Bachman Turner Overdrive referencing single 'You Wish You Were Red' and the impressive 'Candy Girl' (not the New Edition or the Babybird song) but borderline plagiarism gripes aside this is a decent first outing. In a brief conversation, conducted at knifepoint, myself and Phil agreed that the most obvious reference points are Beach House and The Swirlies. The press release says Beach House and My Bloody Valentine so we were out by a whisker and only because we are bloated middle aged men prone to using obscurest references where possible. These are one of the increasing conglomerate of groups happy to use a drum machine instead of the regulation human drum hitter but there is plenty going on production wise to mask the lumpenness these machines sometimes bring. There's some nice heavily effected guitar playing in evidence and especially 'Engelhardts Arizona' has a real Broadcast feel to the proceedings. Its noisier overall than the gentle meanderings of Beach House with lots of discordant type keyboards and guitars slathered all over giving an off kilter, claustrophobic feel.

•    ‘Ester’ neatly combines elements including the dream pop of Beach House, the sweet nocturnal melancholy of The xx and the sonic exploration of My Bloody Valentine to form an album that’s streets apart from any of its contemporaries. It’s a great achievement that from the first listen makes it apparent that a lot of people are about to fall in love with this band.

•    It kicks off with the freeform intro ‘Rolling - Kiss The Universe’ that leads usinto Trailer Trash Tracys’ own otherworldy sonic space in which their ideas run unfettered. Deep and hazy sonic textures drift around singer Suzanne Aztoria’s gossamer light vocals. The album then progresses to reveal ever expanding possibilities, running the gamut from the spiralling guitar shreds of ‘Engelhardt’s Arizona’ to the gloriously seductive and brooding pop of ‘You Wish You Were Red’, out to the delicate, pinprick orchestrations of ‘Starlatine’. The smouldering slow-burn of ‘Turkish Heights’, meanwhile, closes the album in poignant style, romantic, dreamy and sincere, revealing a tender heart beating indelibly inside the machine.

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