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John Wiese - Seven of Wands

Seven of Wands by John Wiese
  • 1 - The New Dark Ages
  • 2 - Scorpion Immobilization Sleeve
  • 3 - Alligator Born In Slow Motion
  • 4 - Burn Out
  • 5 - Corpse Solo
  • 6 - Don't Move Your Finger
  • 7 - Don't Stop Now, You're Killing Me

4...according to our on Wed 07 Dec, 2011.

John Wiese has been peddling textures for some years now and he's done some fairly notable collaborations so if you're the type to buy Pan releases he doesn't need much introduction. This one here is in the label's trademark lavish printed-card-sleeve-inside-a-screenprinted-PVC-sleeve artwork and contains seven pieces spanning a period from 2004 until 2010. By Wiese's standards this is a pretty sedate and reflective collection, with the compositions ranging from quiet static rumbles and swells to processed clanking and creaking type affairs. It's a consistently meditative listen and never really breaks into the full-on confrontational noise stuff that Wiese can be prone to, and for that I thank him because it isn't yet 11am and I'm not sure I could stomach anything super-grating right now. This is a really minimal and curious listen, in places there's concrete-style arrangements that are almost percussive with shloops and swishes and mic clicks all crushed up next to one another. Let's face it, if you're looking for something that's conventionally musical then you won't be looking towards this guy or this label, but when it comes to bringing out unique  and consistent experimental noise you can rely on both to deliver the goods.

As a composer, John Wiese is an elusive one. Employing a very healthy range of conceptual framework throughout his oevure, he's unmistakably recognizable, but rarely easy to predict. No matter what the sound, we find it always sounds like Wiese. Seven Of Wands contains a romanticism only hinted at previously. Comprised of pieces from a range of eras and sequenced into a narrative arc, this very unique album has a quality of being beautiful, listenable, immersive, and transportive all at once. He probably wouldn't like this, but I dare say  "musical."

Let's look for a second at the development of Wiese's solo albums to date: Magical Crystal Blah (2003), Soft Punk (2002–2005), Dramatic Accessories (2007), Circle Snare (2008), Zombie (2009), and now Seven Of Wands (2004–2010). With the exception of Zombie's rigid conceptualism, what we can see is a development of a completely individual approach to cutting and stereo spectrum, with a constantly fluctuating degree of severity in choice of sounds. On this latest, we see this transposed to a longer-form, with more emphasis on beauty and musical qualities (well, don't get me wrong), employing strategies and techniques of musique concrète and electroacoustic music throughout, all the while further emphasizing the mixing desk as a true instrument.

Two of the albums central pieces were developed while touring the US, UK and Europe with Liars, No Age, and (in quadraphonic) Matmos, and feature source material contributed by Angus Andrew (voice, field recording) and Julian Gross (percussion) of Liars. This is Wiese's second release on PAN, following the vinyl edition of C-Section, his duo album with Evan Parker.

The CD is a limited edition of 1000 copies, and is packaged in a pro-press digisleeve jacket which itself is housed in a one-tone silk screened pvc sleeve with artwork by John Wiese and Bill Kouligas.

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