Recommended by us on 4th November 2011
...according to our Mike on Wed 02 Nov, 2011.
This duo from Tokyo recorded this album in a church in the United States. The warmth of the acoustics are clearly evident in these emotional and minimal neoclassical compositions where they play a wide variety of instruments with grace and subtlety. The bit I'm listening to right now sounds like it's got dulcimer and violin playing off one another in a really soothing way. This is a very musical record. While it does verge on ambience on occasion it's still very much of the harmonic and concordant school. There's some subtle electronics and synths evident in the second track that are a nice counterpoint to the organic tones of the rest of the piece. While I only have time for one measly listen I can tell this a soothing and involving record that will please fans of minimal and melodic neoclassicism no end. If you're into the likes of Dustin O'Halloran or Black Eagle Child, I can't see this being a disappointment.
12k presents Shizuku, the debut album from Illuha (a play off the word 'island' in Portugese) comprised of Tokyo residents Corey Fuller and Tomoyoshi Date. Shizuku was recorded in a 100-year old church in Bellingham, Washington and the duo used ambient and quad-microphone techniques to capture the natural acoustics of the high-vaulted ceilings, wooden floors, stained glass and the natural resonances of the space. A beautiful variety of instruments were used to create the soft tones of the album at once like liquid and at the same time like air. Pipe organ, vibraphone, dulcimer, accordion, rhodes, piano, and analog synthesizer are only a selection of what was used to create the rich, and tonally warm sound of the album. It's as if movements and textures were dropped into the ocean to let float around and combine with others that touched. Field recordings and the most delicate touch of computer processing give a modern feel to this electro-acoustic world. In a bit of a departure for 12k, the fourth song on the album features spoken word from renowned Japanese Tanka poet Tadahito Ichinoseki. A deeply moving poem, essentially one about Christmas; silence, god, birth, death, Ichinoseki's raw, vulnerable voice carries over a tonal backdrop that gradually swells in intensity with plucked string harmonics and soft, echoing percussion. Artist John Friesen also adds cello on tracks 2 and 3. The deeply encompassing and personal sound of Shizuku is by no coincidence. During the year it was recorded both artists underwent intense personal pain and happiness as well as the earthquake that rocked their lives in March of 2011. Shizuku stands as an emotional release for the artists that clearly comes through in its progressions, carefully played sounds and enveloping atmosphere.
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