Recommended by us on 6th October 2011
...according to our Ant on Thu 06 Oct, 2011.
Well this is a total godsend for folks like myself that missed out on the super limited art edition 12”s that were only available directly from Kompakt. Three different 12”s and just 199 copies of each. Thank fuck though the tracks have not vanished into the ether and are now available for us who were either too skint or too slow off the mark to snaffle the vinyl editions. The concept here is fairly simple: Almost all of the audio/sounds except for the kick drum have all been created via samples of a Kafka audiobook. For those blissfully unaware then it's worth mentioning that Franz Kafka was a culturally influential German-language novelist whom the term Kafkaesque refers to in modern language - you know like just in the same way Ballardian is a proper word. Anyway by snatching these words and fragments of dialogue and looping etc. Wolfgang creates a mesmerising brand of minimal techno with the resultant atmosphere created being totally “Kafkaesque”, that is paranoid/ psychotic. The overall effect is fantastic, I especially like the pitched down vocal parts and the way the tracks still manage to be really groovy and floor friendly. But then Voigt has always been a master of displaying how an artist can still be wildly experimental and conceptual on the dancefloor. I think 'Kafkatrax 3.1' is probably the darkest, with a brooding atmosphere reminiscent of The Advent's 'House Seed' track. I'm reminded of a post-dancefloor narcotic state where real or imagined words and phrases play through your mind and eat away at the subconscious, questioning whether you in fact had heard that phrase on the dancefloor or whether it is just post-drug psychosis at work. Of course it would have been ace to score these on vinyl but a CD release gives these tracks the wider audience they deserve.
* For WOLFGANG VOIGT, techno is a means of constantly reinventing himself. After the publication of the highly idiosyncratic “Freiland - Klaviermusik“, the two “Sog“ records “Abweichung“ and “Fremde Hände“, and “Du musst nichts sagen“, on Profan, his new album KAFKATRAX is dedicated to the human voice.
* As in previous projects, VOIGT is solely interested in the sound and the structure of the original material - in this case recited text. Using various cutting and covering techniques, he disassembles the text into a disturbing, abstract „literature rap“ that at best creates an illusion of comprehending fragments of the shredded words and sentences left over. In combination with Voigt’s typical Umta techno beat, the outcome is a kind of vocal polka consisting of voices and their side acoustics that sound like psychedelic without guitars or acid without 303.
* The fact that Voigt used a Kafka audio book CD, reminiscent of his literary preferences as a teenager, is entirely meaningless to the final musical product – Voigt is only interested in the sound of recited vocal text. He could have equally used Thomas Mann or the Grimm Brothers. What is interesting however is that by covering and layering the voices across up to 5 octaves, a claustrophobic, nightmarish atmosphere is created that can definitely be described as „Kafkaesque“.
1 - Kafkatrax 1.0 2 - Kafkatrax 1.1 3 - Kafkatrax 1.2 4 - Kafkatrax 2.0 5 - Kafkatrax 2.1 6 - Kafkatrax 2.2 7 - Kafkatrax 2.3 8 - Kafkatrax 3.0 9 - Kafkatrax 3.1 10 - Kafkatrax 3.3 11 - Kafkatrax 3.4
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