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Beirut - The Rip Tide

Recommended by us on 25th August 2011

The Rip Tide by Beirut

4...according to our on Thu 25 Aug, 2011.

Have you heard of this guy Beirut? He's some hot new young talent bursting onto the scene apparently. He plays lushly orchestrated pop in the style of the likes of The Divine Comedy or maybe a more accessible take on Sufjan Stevens's early work. There's loads of brass on this, his debut album, coming out on the back of a couple of mega limited cassette releases. Where did this guy come from? Is Beirut his real name? Why is he never seen in public without a bowler hat? Nobody seems quite sure but I think this lad has a promising future if he keeps it up. People like that sense of mystery. 'Santa Fe' has a real '80s pop vibe going on with synths and stuff but overall the feel of this record is that it's been made by loads of real people with loads of real instruments that they blow into and pluck and whack with sticks. Rumour has it this is actually Ozzy Osbourne performing under a pseudonym but you didn't hear it from me.

Zach Condon's music often parallels the exotic mysteries of world travel. Since Beirut's last album, 2007's The Flying Club Cup, sang a love-letter to France (with a 2009 stop-off in Mexico for the March of the Zapotec EP), many asked where his songs would voyage next, but few predicted the inward journey Condon takes on The Rip Tide, an album with the most introspective and memorable songs of his young career.

Recorded in Upstate New York, Brooklyn and, of course, Condon's hometowns of Albuquerque and Santa Fe, The Rip Tide marks a distinct leaping off point for Beirut. Beginning life as small melodies conceived on piano or ukulele, the songs were built upon by the entire band in the studio before Condon's paring down and retrofitting. The results sound like they were recorded in a single session, with exciting rhythms matching the upbeat horns and contrasting the mournful strings. No direct geographical affiliation was exhumed; rather, the style that emerges belongs uniquely and distinctly to Beirut-one that has been hinted at all along.

Lyrically, Condon's deep honesty outstrips the simplified nomadic troubadour image of his past. The tracks speak of love, friendship, isolation and community, touching on universal human themes that are less fabricated stories than impressions of life at a quarter-century of age. This dramatic shift expands Beirut's palate without weighing down the music. "Santa Fe," a jumpy ode to the town of his youth, is the best pop song he has written yet. Of particular note is "Goshen," a torch song that wraps itself in Condon's delicate piano phrases at a level of intimacy never heard before on a Beirut song.

The performances of the band-Perrin Cloutier on accordion, Paul Collins on bass, Ben Lanz on trombone, Nick Petree on drums and Kelly Pratt on horns-are spot on. With contributions by such esteemed colleagues as violinist Heather Trost (A Hawk and a Hacksaw) and Sharon Van Etten, The Rip Tide reveals greater levels the more the listener explores. And one need not even travel very far.

Long-awaited follow-up to Flying Club Cup

Lead single "East Harlem" single made Pitchfork's "Best New Music" and to date received over 300k streams on Soundcloud

LP is deluxe cloth bound / foil stamped LP and comes with MP3 download

Limited edition cloth bound / foil stamped book style CD version available to independent retailers only

Released on Beirut mainman Zach Condon's Pompeii Recording Company label

Produced once again by Griffin Rodriguez

Vinyl includes download code on a limited-edition postcard (w/ original artwork by Beirut's Perrin Cloutier)

TRACKLISTING:

A Candle's Fire
Santa Fe
East Harlem
Goshen
Payne's Bay
The Rip Tide
Vagabond
The Peacock
Port Of Call




me said:

What are you talking about? Beirut has been around for ages and this is his third album. There is no mystery surrounding this guy whatsoever; his name is Zach Condon.

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