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Littlebow - The Edge Blown Aerophone

Our album of the week (24th June 2011)

The Edge Blown Aerophone by Littlebow

5...according to our on Thu 23 Jun, 2011.

Well, what have we here? A deliciously spun collaboration between Katie English and Keiron Phelan that elevates the old flute back up to fairly respectable levels not seen since the Sixties. It's by no means always pushed to the forefront but its easily dismissed jauntiness doesn't, on this occasion, evoke mental images of barefoot smelly hippies in twatty hats or prog's most vomitous excesses. Instead it is used divinely in conjunction with its heftier cousin, the bass flute, to embellish some truly organic, intoxicating twinkly post-folk and sleepy chamber rock movements. You know the score with this label by now. Nothing but the most elegant and sumptuous arrangements and warm, evocative instrumentation is used to create the music. I'm especially taken with 'Oarsmen's Lament' which features a beautiful spiralling organ and loose tumbling drums to astonishing effect! There's nostalgic hazy pagan-flecked folk such as the utterly charming 'Girl With Orange Umbrella' and even a wistful cinematic Sixties feel to the subsequent track - the drums reminding me of a less eerie and possessed Broadcast. I've got to say on first listen that this is probably one of my favourite releases on the label along with the lovely Brave Timbers and Klima CDs. There's not a remotely dull moment here, the passionate segueing of tender, understated evocation and occasionally rockier tropes (showcased on the remarkable 'For This') results in a hugely engaging, involving listen that you will not want to reach the finale of. No generic post-rock dullardry or over-baked retro moods here. Most fresh and invigorating. There's a bonus 3" CD in a likkle red envelope like with the Brave Timbers CD. That absolutely flew off the shelves in hours. Don't be a daftie, get armed with Littlebow this minute!

Perhaps the most lyrical of the orchestral woodwinds, the flute has been given something of a raw deal by successive generations of rock-centric commentators who have taken a few of prog’s more excessive dalliances with the instrument and used them to render it a pariah, lazily overlooking the flute’s vital contribution to such landmark releases as Love’s Forever Changes, The Beach Boys’ Pet Sounds, Van Morrison’s Astral Weeks and Pharaoh Sanders’ Karma – not to mention its consistently sublime presence in the early work of Kraftwerk.

The boundless versatility of the flute is the sine qua non of this debut album by littlebow, the duo of Keiron Phelan (State River Widening, Smile Down Upon Us) and Katie English (Isnaj Dui, The Owl Service). Its ten, exquisitely realised tracks run through a gamut of richly textured soundscapes, from introspective night ambiences and sweeping, melancholy counterpoints to overdriven, Reichian rhythmic assaults, via lavish, Morricone-esque atmospherics; and angular art-pop shapes – all of it heavily imbued with unexpected melodic, harmonic and timbral twists.

Ultimately, The Edge Blown Aerophone leaves influences and comparisons in the dust and offers a voice that is unique; one that repositions the most ethereal of orchestral instruments as a thing of dynamic resonance and consistently surprising malleability.

Limited edition of 400 copies.

The first 200 copies of The Edge Blown Aerophone are accompanied by Puff, a limited edition 3" disc of exclusive album remixes by Orla Wren, Pastourelle, Plinth and Robin Saville (ISAN).

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