Our album of the week (25th August 2011)
...according to our Dave on Wed 24 Aug, 2011.
Overblown, pretentious, sexist and unfunny...anyway that's enough about The Wire (the "music" mag, not the hard hitting cop show) and more about the cosmic voyage that is the new Wooden Shjips album. I'm not exactly au fait with these guys but I'll tell you summat...this album is ace!! It might even be one of the best things that you'll hear this year. They have totally got the space rock sound down to a fine art. They might even be considered masters of the genre. This album is as good as anything The Doors ever did (for some bizarre reason the Shjips remind me of The Doors...is this a common problem?? If you suffer from The Doors/Wooden Shjips confusion don't be afraid, we have people who can help...). The whole album is one ace trip through different realities. It has all the hallmarks of a great story,or mebbe even trilogy; brilliant opening, slightly dark middle and rousing finale. It starts in typical 'Shjips fashion with the awesome "Black Smoke Rise" which is pretty much the perfect Wooden Shjips song. All the tracks on side one are guilty of having moments of pure psych genius, from the lolloping "Crossing" to the side one finale the absorbing "Home" which has the same urgency and brilliance as "Satisfaction" by the Rolling Stones. It even apes the main riff to some degree...but has bettered it by being a bit more futuristic sounding. That's another thing, the production. Its been taken care of by Phil Manley (guitarist and moustache wearer of The Fucking Champs, Trans Am, etc.) and it's such a well recorded record. I nearly started to cry my little arse off at the clarity and depth of this recording. It sounds mint!! The flip side is just as brilliant and worthy of accolades as the first side. The second side kicks off with a fucking ace song , called "Flight" and it has a really ace feel and slightly off beat rhythm that sounds...welll, just so fucking good. The second track on side 2 is a sprawling number called "Looking Out" and is massively hypnotic. It locks into a superb groove and never lets go. The proceedings are brought to a brilliant close by a cut called "Rising" that makes use of backwards guitar and sonics loops to great effect. This track has a really amazing feel, and is a quality song. It sounds like the best ending to an album I've heard in ages...its a fitting coda to an amazing journey. It comes on a clear vinyl that is green!! Could it be anymore psych?!! All in all it's one hell of record that is distinctive and bodes well for the Shjips. Who'd've thunk it!!?!?
Formed in 2006, Ripley Johnson (guitar and vocals), Dusty Jermier (bass), Nash Whalen (organ), and Omar Ahsanuddin (drums), began with the simple drive to get their music heard. Their first 10" was available for free to anyone who wrote them an email requesting one. After a few albums, singles, and collections the band are leaders of the modern psychedelic movement.
West is their first album recorded in a studio (Lucky Cat Studios). The album was engineered by Phil Manley and was mastered by Sonic Boom at Blanker Unisinn, Brooklyn, with additional mastering by Heba Kadry at The Lodge in New York.
"Combines and updates the transportative force of the Velvet Underground's no-blues drone, Can's unrelenting pulse, and the holy garage-rock fire of The Thirteenth Floor Elevators into a compact, wrapped-in-reverb trip of vintage transcendence and forward thrust." - Rolling Stone (David Fricke)
"A collision of sorts between The Exploding Plastic Inevitable and The Family Dog in the way these doggedly hypnotic organ grooves are kept company by a surprisingly jaunty, super-tight rhythm section, then punctuated by Ripley Johnson's reverb-drenched murmurs and his great, stunned, fuzzy-heavy guitar solos." - Uncut
"...proof the San Francisco still throbs to the sound of spirited psychedelia." - MOJO
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