Recommended by us on 8th July 2011
...according to our Clinton on Fri 08 Jul, 2011.
I wasn't sure what to expect from this, having missed out on their previous long players, but was pleasantly surprised. It's supreme orchestral chamber pop throughout. Opener 'Morpheus Miracle Maker' sounds a little like the music Kate Bush should be making rather than the faffing about she's been doing over the last God-knows-how-many years. Beautiful strings married with a wandering gravity-defying melody although the title track sounds worryingly like 'Gaudette' by Steeleye Span, whether that's a good thing or not my progressive folk monitor is currently attempting to distinguish. There is some kind of link between this band and The Cardiacs (nothing obvious according to the sleeve notes save all the members of The Cardiacs being thanked) but it often comes across as a more pastoral orchestrated version of that supreme band. There are twisting, turning melodies galore which hit moments of pastoral bliss and elsewhere suddenly burst into melodic song. Comparisons could also be made to Penguin Cafe Orchestra and Sufjan Stevens's more orchestral moments. Business Lady has chipped in with a comparison to Mark Mothersbaugh's soundtrack work particularly on the track 'Berliner Luft' which sounds to me like Philip Glass playing the hits of The Cardiacs. The track builds beautifully with clarinets, oboes, strings intertwining and a strong rhythm section giving it a rock band dynamic. It's just one superb moment in an album littered with them. Well worth your attention.
North Sea Radio Orchestra, two album releases with glowing reviews and several BBC6 sessions. Now, after a short period of hibernation they return with their third album; 'I a moon'.
'I a moon' retains the unique NSRO line-up of strings, woodwind, percussion, guitars, keyboards and voices but with a darker, less pastoral sound, with synth and percussion taking a more prominent role than on their previous two albums. Another departure is a move away from using poetry to the more personal use of self-penned lyrics. On this new release, the influences apparent on the first two albums (Britten, Vaughan Williams, Reich, ISB, 70's prog) have been augmented by a distinct whiff of Krautrock while the angular guitars of 'Ring Moonlets' show a debt to the dual guitar textures of Deerhoof.
NSRO continue to blend their influences in a highly imaginative and unusual way, while all the time having an ear for the beautiful, be it in melody, texture or chord.
The uniqueness of NSRO's music has meant they have never really belonged to any 'scene', having always defied categorisation. Some continue to include them in with the 'Nu Folk' phenomenon but in reality they continue as they have always done; doing it all themselves, ploughing their own furrow outside of any group or affiliation, creating beautiful, crafted music for music lovers uninterested in category or genre. It is in this light that they have set up their own label, 'The Household Mark', to release this record. The creative freedom that flows through this album in part springs from the liberating feeling
of not having to seek assurances from label, contemporaries or advisors. Without them NSRO have been free to create a unified collection of songs and instrumentals that will stand up to scrutiny for years to come.
Since the release of their second album 'Birds' in Dec 2008, NSRO have performed many live shows; from their usual churchy surroundings (the Union Chapel), to the grand (Rennes Opera House) and the down to earth (Brixton Library). They will continue in this vein, the various venues reflecting the broad appeal of the band, attracting fans from the modern chamber music scene right through to indie and alternative music lovers. In this way the audience seem to reflect the influences in the music.
North Sea Radio Orchestra - 'I a moon'; beautiful, redolent, ancient and modern, English and world, unique.
Press : 'What makes the North Sea Radio Orchestra so special is Fortnam's gift for orchestration, the deft and original way he puts deceptively simple materials in the hands of sophisticated performers. Melody pours from his pen on every page.' The Guardian 5*****
'North Sea Radio Orchestra is the kind of deserving enterprise the BBC should really be throwing money at. Having honed its craft in public libraries and sympathetic places of worsbip, this superbly disciplined chamber ensemble is now more than ready to step onto a larger stage. And as sumptuous swirls of organ, strings, guitar and bassoon eddy around a rapt Spitz, in east London, the pastoral splendour of its debut album comes magically to life. Craig Fortnam's compositions stake out a unique terrain, somewhere between Vaughan Williams's The Lark Ascending and the baroque meditations of Sufjan Stevens, and his wife Sharron populates it with a voice of dazzling, pre-industrial clarity.' The Sunday Telegraph 5*****
Paul said:
err, cat's bollocks. Wonderful stuff (from the sound of it).
So, what do you think? Best reviewer each month gets £10 off their next order!