If you've been having problems with the site since last week (Friday 18 May) please read this. (Hide this message)

Ford And Lopatin - Channel Pressure

Recommended by us on 2nd June 2011

Channel Pressure by Ford And Lopatin

5...according to our on Thu 02 Jun, 2011.

Very much excited about the arrival of this album. Ford & Lopatin (formally GAMES before the lawyers stepped in) are a MIDI obsessed, synth pop generating duo consisting of Joel Ford (formally of Tigercity) and Daniel Lopatin (Oneothrix Point Never), two school buddies whose affinity with the pioneers of electronic pop, jazz fusion, synthesizers and the 'Berlin School' of cosmic/space disco has led them to collaborate ideas and regroup to realise their childhood musical dreams. 'Channel Pressure' takes the themes and principles of high end studio music circa 1983/4 and brings it kicking and screaming into the 21st century. We're talking Herbie Hancock, Jan Hammer, Vangelis, Devo, Scritti Politti, Art Of Noise, Giorgio Moroder etc (the list goes forever and includes all sorts of producers and engineers whose relative wealth meant they could get their hands on the latest advances in production technology). The result is a colourful an inventive reinterpretation of a sound that I hold dear from my childhood years and that resonates throughout much of modern pop and underground music today.  These guys are obviously power nerds with an obsessive eye for detail yet they create music that has the ability to loosen even the stiffest of music listeners limbs. In many ways it harks back to the lavish productions you might associate with Kenny Loggins and the yacht rock crowd yet it works so much better knowing that these guys are just beardy dudes with a history of making relatively obscure underground music. Too many highlights to start chatting about individual tracks (i also need more time to absorb due to this being my first listen) but just trust me when I say this is a solid album that surpasses much of what is considered electronic music in 2011, mainly because it feels authentic and fun. It's a celebration of the technological advances and the imagination of the users who choose to abandon their rock instruments and take a chance on the machines. If you enjoyed the GAMES EP and the amazing 'Emergency Room' track (best take on Scritti Politti's pop era ever) that's been doing the rounds then you'll undoubtedly need this for your collection. Also worth noting that Autre Ne Veut guests on a couple of tracks and the guitar playing is princetastic! Only gripe, no equipment list in the sleeve-notes. I got some good tip-offs last time around.

The year is 2082. Joey Rogers is a Teenage Tech head whose dream is to unplug from reality and jam in the style of his MIDI equipped ancestors….

When Joel Ford and Daniel Lopatin met in sixth grade, they bonded by drawing album covers for fictional bands. Ford and Lopatin forged together over jazz-fusion tapes, blasting tracks from Dan's father's collection of dubbed Return to Forever and Mahavishnu Orchestra c90s. “Years later it was Prefuse 73 and Matthew Herbert, but jazz fusion was what we really geeked out on when we were kids,” admits Lopatin.

Despite the span of years and a period when the two were living in separate cities, (Daniel in Boston, Joel in NYC), the duo’s obsession with synthesizers, 80s jazz-fusion, "Berlin school" cosmic music and space disco from labels like Sky, Innovative Communications and ECM grew stronger. Simultaneously, both Dan & Joel were immersed in their own personal projects – Joel with Tigercity and Daniel with Oneohtrix Point Never, when they started to send each other tracks via the Internet.

Channel Pressure, the production duo’s debut full-length album is a highly focused study in the effects of consumer electronics that touches on sensual bangers and hyper-spherical anthems prime for the dance floor. The record was engineered by another childhood pal, Al Carlson, and mixed by Prefuse 73 who states: "Mixing these ideas that span from high school notebooks into a present sonic territory is F+L's right on conceptual evolution." There's a fantastical, futuristic narrative arc running hard throughout the album. As a result, Channel Pressure functions somewhat as a concept album, following a loosely knit epic involving a teenage anti-hero (Joey Rogers), violent robo-jocks, and a record industry run by a super computer.  

Tracklisting:

1. Scumsoft
2. Channel Pressure
3. Emergency Room
4. Rock Center Paranoia
5. Too Much Midi (Please Forgive Me)
6. New Planet
7. The Voices
8. Joey Rogers
9. Dead Jammer
10. Break Inside
11. Surrender
12. Green Fields
13. World Of Regret
14. G's Dream   

Be the first to review this record. Best reviewer each month gets £10 off their next order!

You don't have to provide your email address, but without it we can't give you a prize if this is the month's best review!

Keep it civil, please!

Anti-spam question...