Recommended by us on 13th May 2011
...according to our Phil on Thu 12 May, 2011.
Here's another of those guitarry things on VHF I was on about. This 'un is by Jesse Sparhawk (Beverly Hills 90210) and Eric Carbonara (Charmed and season 2 of Supernatural). Ho ho... I'm so fucking funny. Straight to business... Eric plays an upright Chaturangui (twangy sounding Indian guitar thing to folks who've no idea what one is) and Jesse Sparhawk plays a 38 lever harp. Also there's a chap who plays a regular snare drum on one of the two tracks on here. Between the 3 of them they make this amazingly mystical sound which is just beautiful. The combination of harp and chaturangui isn't one I've heard before but it's one that works so well I don't know why no one else does it!
The harp brings a wee Japanese feel to it at times and obviously the Chaturangui gives it an Indian feel so between the 2 you get a gorgeous mix of cultures.
What you get is 2 tracks of blissed out music which build up and down and take you on a journey to a cosmic kingdom! The vibe of this CD is simply beautiful and laid back and it reminds me a but of some of the Jerry Johansson stuff on Kning Disk (if you've not heard that you need to check it out). If you're after something a wee bit different yet gorgeous then check this out!
Sixty Strings is an album of two epic duets by Eric Carbonara (22-string upright Chaturangui guitar) and Jesse Sparhawk (38-string lever harp). While Carbonara has studied Chaturangui extensively with Pandit Debashish Bhattacharya in Kolkata, and Sparhawk was classically trained by major figures of the harp world in his formative years, the music here is their own-not a mashup of quasi-orientalism and conservatory bloodlessness. Both side-long tracks lay out a spacious framework, with the two players supporting simple but elegant melodies that recall Brüder des Schattens-era Popol Vuh and various modal / devotional styles. While the sound of the Chaturangui's sympathetic strings provides a constant electric blanket of comfort, Carbonara's playing is concise and restrained, forgoing the kind of melismatic ornamentation that is a stylistic tic of much Indian- inspired music. Sparhawk, whose expert playing adds much to Fern Knight's complex orchestrations, steps out and extends his instrument using various techniques: fingerpicking guitarlike patterns that interlock with Carbonara, and using sharply struck attacks at the upper register for a piano-like effect. On "The Entwined Twin," the dry crack of a snare drum (played by Julius Masri) enters after a few minutes, ratcheting up the urgency and adding an unexpected texture to the proceedings. The excellent recording captures both instruments in detail with close-up, intimate feel.
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