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Ezekiel Honig - Folding In On Itself

Recommended by us on 28th April 2011

Folding In On Itself by Ezekiel Honig

4...according to our on Wed 27 Apr, 2011.

Super moody stuff here with the New York artists debut for Type. I have to admit I've not heard this side of the artist and am only familiar with the sorta micro-house stuff he did some years ago. That work though does give an indication as to the level of detail on offer within these not quite ambient, melancholy driven pieces as well as some of the sparser percussive framework. There are tons of strange sounds buried in the mix, I suspect perhaps a mixture of field recordings etc. Once I've got my ears around the depth of the sound there's a real spirit of longing, an unspoken fragility and sense of vulnerability of the human spirit. Highly introverted and intimate tracks throughout make this a very engaging and human record which despite its electronic process of creation feels very organic. Lovely stuff.

*Beautiful, deeply melancholic new album from Ezekiel Honig, his first for Type.
*RIYL: Farben, Moritz Van Oswald Trio, The Remote Viewer
* Limited vinyl edition cut at Dubplates and Mastering in Berlin.
*Describing the music of Ezekiel Honig is never easy. It’s related to techno, but the pulsing 4/4 beats are pushed so far into
the background that they simply become another texture in the sprawling ambience. And that doesn’t mean to say the
music is ‘ambient’ either – the structures are far deeper than musical wallpaper that achieves that label right now. New
York-based Honig’s latest album and Type debut ‘Folding In On Itself’ doesn’t make his music any easier to describe but
does a lot to clarify the mood. This is deeply melancholy music, and while it doesn’t revel in sadness, it conveys a sense
that the things we grew up with and see disappear can never be recaptured. Memory and the corruption or distortion
thereof is at the core the record, and like the cover which is made up of hazy family snaps of a changing Manhattan, Honig
has tried to capture a sense of entropy in his quickly disintegrating city.
*Using a palette of locally recorded environmental samples, decayed acoustic instruments and the unusual, clattering
percussion that has become his signature, ‘Folding In On Itself’ is probably Honig’s most measured and defining record.
Elements of his previous work are still present, heard most obviously the breakthrough ‘Surfaces of a Broken Marching
Band’, but every tiny part has been trimmed and honed with a selfless attention to detail. From the lilting processed horns
and clipped percussion on ‘Subverting the Memory of Your Surroundings’ to the noisy, slowly decomposing piano of
‘Drafting Foresight’, there is a sense that Honig has distinct story to tell, and that every track on the album is a unique part
of the same object. Far from a random collection of tracks, ‘Folding In On Itself’ is an introverted collection of musings on
change and loss, and is as softly spoken and moving as anything we have put out on Type to date. Handle with care.

TRACKLISTING:

1. Material Wrinkle 2. Subverting the Memory of Your Surroundings 3. Between Bridges 4. Drafting Foresight 5. Folding Us
In On Itself 6. High & Low 7. A Closed Loop That Opens Everywhere 8. Ancestry Revisiting Each Other 9. Tradition is the
Illiusion of Permanence 10. Distant Breakfast Highway

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