...according to our Clinton on Thu 28 Apr, 2011.
Another day, another Fresh and Only's record. If they weren't so consistent I'd use the word 'churn' but once again this is pretty much excellent. A lot smoother than previous stuff I've heard, less of the 60's vibe and a bit more of an 80's thing going on. I guess their trajectory is not that dissimilar to that of Deerhunter who have also chipped away at the noise in order to produce great psychdelic pop without losing their edge. As is their wont they open strongly with the mid paced melodic title track which sounds something akin to a Zombies re-invigorated with mid 80's melancholic indie pop. From there on it progressed in a similar manner to their last LP with a variety of styles:- they flirt with Johnny Cash like twang, heavily reverbed beat pop, and even a bit of synth rock (!) all with memorable late 60's styled melodies to hook you in. Impressive.
The Fresh & Onlys have had an unusually prolific past couple of years. On the heels of their critically acclaimed album Play It Strange, the band returns with a bold creative leap forward on their new EP Secret Walls. The cavernous opening sounds of Secret Walls reveal the strong threads of hazy post-punk melancholy that have been woven throughout the band’s catalog and have now fully matured.
Tim Cohen’s crooning baritone is more confident and commanding than ever as it is sewn into the dizzying tapestry of the melody, while the guitar sounds of Wymond Miles often suggest the dynamic interplay of Verlaine/Lloyd. Long in the works, this EP was recorded in guitarist Miles’ San Francisco studio and properly captures their ambience while bringing forward Kyle Gibson’s lock-step drumming and the unique melodic play of bassist Shayde Sartin. It is the next logical step for the F&O’s and their moody and jangly guitar pop. Last year’s Play It Strange was received with wide acclaim from an enormous amount of press outlets including Spin Magazine. It was also #29 on Pitchfork’s top 50 albums of the year. The Fresh & Onlys toured with Deerhunter and Clinic, and performed at the Matt Groening curated ATP in Minehead England. Heralded as “one of rock’s hardest working bands,” they head out on tour this Spring, playing a handful of shows at SXSW and then embarking on a North American tour in April, and a full European tour in May, culminating with a performance at the Primavera Festival in Barcelona.
Secret Walls, Keep Telling Everybody Lies, Do You Believe in Destiny, Wash Over Us, Poison Wine
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