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Bridget Hayden - A Siren Blares In An Indifferent Ocean

Recommended by us on 18th March 2011

A Siren Blares In An Indifferent Ocean by Bridget Hayden

5...according to our on Thu 17 Mar, 2011.

The last CDr I heard on Golden Lab from this good lady totally blew my mind so when this LP landed I got excited about the possibilities contained within its grooves. Of course Bridget is probably most recognized for her work in Vibracathedral Orchestra but beyond that she appears to keep herself fairly busy. These recordings date from between 2005 and 2008 and she lays down eight improvised tracks using out of tune guitar, pedals and four track, no messin'. The sound is down low, bleak and murky with 'Breaking' being a particular highlight. Its a totally fucked sounding, chugging apocalyptic blues number that sounds like it's about to collapse in on itself at any given second. Similarly 'Thrash Mementoes' sounds like its dragging some old delta blues players corpse through hell. Beyond the ferocity is real depth and spirit emerging from the abyss. Recommended.

Previously found prizing atom splitting feedback through a horizontal guitar, Bridget Hayden’s solo experiments have more lately sought the brooding, layered blues that we find resonating in “An Indifferent Ocean”. A stripped down set up, featuring an out of tune, hand me down guitar, two pedals of similar origin – no delays – and a donated fourtrack port-a-studio found on the street, has converged to form a crafted storm of abyss kicking improvisation.  Best known for her involvement with the hypnotic, shambollic and critically acclaimed drone band Vibracathedral Orchestra, Hayden split in 2006, desiring change and a new vein to hone. She toured solo with kindred freaks such as The Aethr Method, Melanie Crowley-Delaney, Marcia Bassett and Sunburned Hand of the Man, later teaming up with The Telescopes’ henchman Stephen Lawrie to begin a noisy collaboration that continues to confuse and electrify. Here, in her first official and long awaited solo release, you will find a spectrum of somnambulist trances that seamlessly conjoin dense and frantic depth with delicate fracture. Relentless guitar shredding epics are interspersed with graceful, drifting melancholia that lull the listener back to shore with a warm, whispered dream after being crashed mercilessly against the rocks.

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