Recommended by us on 18th February 2011
...according to our Brian on Thu 17 Feb, 2011.
I'm really keen on this guy's stuff. Out of the more interesting & unpredictable realms of the drone/sound art field, he comes brandishing some impressive future music. This begins like a sculpted industrial drone piece before some wild, tingly old kosmische synths are released into the sonic arena. He's quite adept at throwing in some micro-flecks of bass music weaponry, just to startle you, leaving you wondering, doubting you may have heard anything along those lines in the first place! This mini album is only 5 tracks long but clocking in at 33 mins, you're still guaranteed a mesmerising ride. Sinister sci-fi arcade noise judders along a beatless dub techno trajectory, then a ricocheting cosmic echo of a beat ushers in the welcome return of another retro-tinged synth piece - once again the spectre of Cluster & their exploratory synthesizer genius is mined but the results sound fresh rather than retrogressive. By track four, 'New Neo Tokyo/From the Beach, Odeiba Bay', the contemporary influence of acts such as Forest Swords seems to be piping through. Dubbed-out skeletal beats & desolate sound-scapery make for an incredibly thought provoking listen. Closing with another wild, astral piece chock full of cool abstracted ideas & hugely engaging synth action, I'm left panting for more!!
Recently hailed by Pitchfork as a contemporary of Emeralds, Black to Comm, and Oneohtrix Point Never, Antony Harrison’s Konntinent project takes another turn on Down With Candy. Recorded as single take live improvisation for an OTObahn show at London's Cafe Oto in November last year, later edited into a complete release via the power of Logic. Antony blends the crystalline tones and timbres of a dubstep producer with the kosmische approach of Rene Hell into a travelogue of a cold London.
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